전등사 아미타삼존내영원 설계
The Design of the Amitabha Triad Descent Garden at Jeondeungsa Temple
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초록
이논문은인천강화도전등사경내에조성된‘아미타삼존내영원(來迎園)’의설계를다룬것이다. 이정원은한국정원디자인학회가주최한정원디자인아카데미를통해조성되었으며, 불교정토신앙에서아미타삼존이극락에서하강하여중생을접인(接引)하는‘내영(來迎)’의 도상을공간적으로구현하고자하였다. 본설계에서는리움미술관에소장된고려시대의‘아미타삼존내영도’를디자인모티프로삼아, 아미타불․관세음보살․지장보살을상징석으로표현하고, 구름은초화류의군식으로형상화하였다. 설계대상지는기존배수로를경계로하여불보살이내려오는천상의세계와인간이거주하는지상의세계로상징적으로구분되었다. 본정원은한국불교사찰에서최초로조성된내영원의사례로, 불교의상징세계와 정원디자인의 융합 가능성을 제시한다는 점에서 의의가 크다.
Abstract
This paper explores the design of the Amitabha Triad Descent Garden (Naeyeong-won) created within the precincts of Jeondeungsa Temple on Ganghwa Island, South Korea. The garden was constructed as part of the Garden Design Academy hosted by the Korea institute of Garden Design, and was intended to spatially embody the iconography of “naeyeong” (descent), in which the Amitabha Triad descends from the Pure Land to welcome sentient beings, a central motif in Pure Land Buddhism. The design was inspired by the 14th-century Amitabha Triad Descent Painting held in the Leeum Museum of Art. Amitabha Buddha, Avalokitesvara, and Kṣitigarbha were expressed through symbolic standing stones, while clouds were represented by massed plantings of herbaceous species. The design site was symbolically divided by an existing drainage channel into the celestial realm of the Buddhas and the earthly realm of mortals. As the first example of a descent(“naeyeong”) garden ever created in a Korean Buddhist temple, this project offers a significant precedent for the integration of Buddhist symbolism into garden design