시인, ‘도시’를 만나다 ― 중국 현대 ‘都市詩’에 대한 試論
Poets, Meet the ‘City’: A Study on the Modern Chinese Urban Poems
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The poets have been felt in the 1920s and 1930s that the city would introduce the new life style and this would naturally result in the new possibility for modern poems. However, according to the researcher’s viewpoint the meanings of urban poems appeared in different ways. Thus in the study the definition and category of “urban poems” were re-established before the chinese urban poems in the 20th century would be analyzed. Based on the results of this research, the birth, progress and changes of the chinese modern poems were looked into through the poems which the Modern School Poets published from the 1920's to 1940's. Since the 1930's is considered as the era when the most ripe poets were published in the chinese modern literature, we analyzed the major poets being published on the magazine of 『The Modern』 which aroused fever of the urban poems to the chines poetical circles. The creation of urban poems were subsided during the Sino-Janpanese War, however, in the 1940's the new renaissance came with Jiuye Poets Group. In the urban poets of the Jiuye Poets Group criticism and satire of the reality were more important poetic matter rather than innocent inner side confession and lyricism related with the urban life, which the Modern School considered as more important poetic matter. Thus the innocent sense of urban poems are rare among their works. Because the numbers of urban poems are lack, the characteristics of the city and urban sensitivity is left as later research topic in this study. In the future research, the characteristics and changes of urban images and sensitivity to the chinese modern poets will be looked into from the urban poems published throughout 20th century.
Abstract
The poets have been felt in the 1920s and 1930s that the city would introduce the new life style and this would naturally result in the new possibility for modern poems. However, according to the researcher’s viewpoint the meanings of urban poems appeared in different ways. Thus in the study the definition and category of “urban poems” were re-established before the chinese urban poems in the 20th century would be analyzed. Based on the results of this research, the birth, progress and changes of the chinese modern poems were looked into through the poems which the Modern School Poets published from the 1920's to 1940's. Since the 1930's is considered as the era when the most ripe poets were published in the chinese modern literature, we analyzed the major poets being published on the magazine of 『The Modern』 which aroused fever of the urban poems to the chines poetical circles. The creation of urban poems were subsided during the Sino-Janpanese War, however, in the 1940's the new renaissance came with Jiuye Poets Group. In the urban poets of the Jiuye Poets Group criticism and satire of the reality were more important poetic matter rather than innocent inner side confession and lyricism related with the urban life, which the Modern School considered as more important poetic matter. Thus the innocent sense of urban poems are rare among their works. Because the numbers of urban poems are lack, the characteristics of the city and urban sensitivity is left as later research topic in this study. In the future research, the characteristics and changes of urban images and sensitivity to the chinese modern poets will be looked into from the urban poems published throughout 20th century.
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