中國現代詩, 그 認識과 浪漫의 方法志向

Abstract

The grounds of Chinese modern poetry cannot be developed. At that time, there were the ideal having become dogma, the immature youth, and the destiny the more serious the comic. Furthermore it made the essence/phenomenon and the hiding/showing unify through the time space, and got to deny the level of the traditional poetry which converges the life/meaningless on the feelings. The destiny of Chinese modern poetry had to give up the true poetry for the ideology, as they chosen semi-feudalism in trying to change the contents by form, replaced the individuality of the romance with the history/reality of the romance, as changed the impossible popularization to consciousness/activeness, as took the humanism in the battles’s overpower. It is crisis of the realism in the Chinese modern poetry for it had to be the disuse of the criticism and measure of the government power. The aspect of Tianjian Liying Guoxiaochuan who sang the power by a premodern way was dizzy, the sinking of Hufeng who could not give up the realism was predetermined. When the poetry become the pride and enthusiasm of politics, the humanity is no longer meaningful worth. The realism stopped to criticize for liberation just unite with power. Also the inner accordance head to power became to the new mechanism of the Chinese modern poetry.