손광은 시에 표상된 ‘웃음’에 관한 연구

Abstract

Laughter is characterized by being non-fixed. We cry twice in the same way, but is hard to laugh twice with the same thing. I saw the non-repetition of laughter as a stylistic feature that reveals the subject or object. In order to capture the identity that emerges in the flowing things, we need emotional ethics based on flexibility, not regulatory reason ethics. Laughter outside causal relationship forms an accidental flow. Laughter that spreads along various relationships does not flow in the context of meaning. The interpretation of meaning is postponed. I have explored the concepts of laughter focusing on Bergson's laughter. I have extended the intuition known as empowering to capture emotional things. This is the principle of working emotional ethics. I divided my intuition into three: Sensory intuition, Thing intuition, Scene intuition. Through the extended intuition, I analyzed and interpreted the laughter expressed in the Son Kwang eun’s poems. A momentary shake about an object or situation repeats and moves, drawing the individual's style. Through the repetition of this style, the social and cultural style becomes a pattern. In order to dilute the prejudices attached to ethics, we need to pay attention to the emotional ethics in terms of style.