梅泉 自然詩에 投映된 近代性 硏究

Abstract

The Nature Poetry of Maecheon uses a large number of aesthetic ideas about traditional Chinese nature poetry. These works have subtle differences. It has been researched as to whether the difference in the aesthetic sense was due to its being an object of the present discussion. The difference between that aesthetic modernity was projected at the time of the claim that it was nature Poetry of Maecheon. First, look at the view of nature of Maecheon. The traditional view of nature in oil shows the dohak enemy out of the view of nature. The modern view of nature is to be aware of the nature of human relationships. One argument is that it is easy to read from the works of Maecheon. It also examines the formal characteristics of the poetry of Maecheon. Modernity was discussed in the refractive hidden format. Maecheon favored a norm that was reluctant to deviate from how to write poetry and how to write this specific poem. Nevertheless, the city has used nature in a deviant form.. This type of refraction is a consequence of the claim that modernity is reflected in unconsciousness. Then the dimension of the format was not recognized and nor were the differences in theme and expression investigated. The main characteristic of individualization of modern literature is discussed. Gender has revealed that its place in poetry in nature Maecheon. Also investigated is the foundation of modern hyeonjangseong realism. It is projected while identifying the nature of Maecheon. Modernity, where nature is revealed during this project as a combination of these factors, is presented with no duplication. Recognition was also mentioned in this representation. It is not separated from the place of angido hyeonjangseong. Nevertheless, the four factors discussed above were accepted in Maecheon nature. For this reason the nature of the subtle aesthetic differences of Maecheon looks like traditional Chinese poetry and the nature poetry genre. This is a natural characteristic of the city of Maecheon.