한국 현대시의 해체적 상상력

Abstract

The imagination of deconstruction in Korean Modern- Focusing on the poetic sequence Chuang-tzu's poem of Park Je-chun -Lee, Ji-Soon The ambivalent imagination of Poetic sequence, 「Chuang-tzu's poem」could be a countermove against the circumstance of 60's not to be able to have freedom of choice. Ironically, closure of the chaotic circumstance of this period enabled Park, Je-chun to pursue the imaginative foundation of opening and freedom. The imagination from 「Chuang-tzu's poem」is linguistically pursuing the oppressed freedom. In this poem, Chuang-tzu is a start to have poetic consideration, but refuses to remain as a standard that have a strong prescription. Antagonistic values coexist in 「Chuang-tzu's poem」, and finally this poem sharpens a linguistic angle based on imagination of Chuang-tzu. Poetic consideration, which escaped from univocite and fixations, realizes meanings through paralleled images and deconstructs them at the same time. However the deconstruction of meanings is extended or circulated to the conversational situation as the subject meets the others. A circulation appears on confrontational images as traces, and finally repetitions get rid of the differences. At this point, deciphering simple and clear meanings is disturbed by the parallel of discontinuous images. Linguistic amusement is occurred by the parallel of images through traces, and meanings have been dispersed endlessly. Nevertheless, the nets of traces don't remain as isolated differences or endless dissemination. Changing the place of the subject and the others deconstructs the absolute meanings for the subject; on the other hand, it includes the traces of the others and elaborates meanings. Park, Je-chun's poem do not fix meanings singly but open their possibility continuously. The traces of deconstructing image are able to continuously appear, since contacting the others, and now open meanings are produced.