식민지기 관북 출신 시인들의 방언 의식과시적 언어의 향방 － 김기림, 김광섭, 이용악을 중심으로

Abstract

The issue of standard language in the 1930s arose from a literary movement that developed around the Korean linguistics. Then, the standard language of literature emerged as a practical means of this literary movement. A series of ‘Roundtable Discussion on Folk Culture’ that Samchully posted four times appeared in this context. This discussion is divided whole Korea into Kwan－Soe, Ki－Ho, Yong－Nam, Yong－Dong, Kwan－Buk. It showed awareness of the local native dialect writers. Especially poets in the area of Kwan－Buk such as Kim, Ki－Rim, Kim Kwang－Seoup, Lee, Yong －Ak most commonly reveals that it is very reluctant to use dialects in their poem. It was because of aesthetic inferiority and communication disorders. In connection with the dialect, the poetic language of each of these three poets are deployed in a different direction. To Kim, Ki－Rim Modernity was considered to be a “son of civilizations”, so dialect was the language of the past and local. Therefore he used a foreign words, neologism, such as conceptual words sought to implement a symbol of poetic language as a linguistic modernity of the new civilization. Kim, Kwang－Seop wrote a poem words to eliminate dialect and locality thoroughly. His literary tastes adore the Western symbolism had a huge impact on this work. He portrayed language of poetry as virtuous and beautiful feature. It seemed like an isolated snail weaved beautiful silver strings. On the other hand Lee, Yong－Ak wrote a poem containing the Northern sentiment in standard language. Hometown was the alienated ‘country’ from the center and local people including himself were ‘rural people’ to wander here and there. Regional representation of ‘central’ and ‘local’ were extended to language representation of ‘standard language’ and ‘dialect’. The class consciousness was added to those concept, dialect became the language of grief. Lee was deeply encouraged by the emotional function of the dialect to comfort the local people.