궁중의식과 관련된 『시용향악보』 나례요(儺禮謠)의 해석 Ⅱ -<군마대왕>, <대국>, <구천>, <별대왕>을 중심으로-

Abstract

This study interpreted the four songs <Gunmadaewang>, <Daeguk>, <Gucheon>, and <Byeoldaewang>, which were included at the end of the second half of the Siyonghyangakbo and inferred the related court rituals at the time. <Gunmadaewang> is a narye song about leading each formation in the ritual of expelling evil spirits. In order, <Daeguk 1> is a song about a small banquet for all participants at the time, including official officials, actors, clowns, and local excites, and <Daeguk 2> is a song about seungji and jae-sang becoming pro-king and dividing into two, and <Daeguk 3> is divided into two. <Gucheon> is related to gwanhwa and is interpreted to mean “distant sky”, and it is presumed to be a song depicting the sight of fireworks fired from the mountain near palace in gwanhwa on December 30, 12th, Yeonsan-gun. <Gucheon> and <Byeoldaewang> are songs that ends the narye ritual held at Gyeonghoeru, and ‘noreona’ means ‘playing’ and related with entertainment. The ‘byeoldaewang’ of the text also refers to Yeonsan-gun as in <Daeguk 1>. The consecutive diversified description of ceremonial <Gunmadaewang> and entertaining <Daeguk>, <Gucheon>, and <Byeoldaewang> in the Siyonghyangakbo is possible due to a special situation called year-end narye and reflects the reality of narye at that time. This situation of the heterogeneous court narye was not only implemented during Yeonsan-gun, but was a custom of Joseon that lasted until the late Joseon Dynasty.