『시용향악보』 <생가요량(笙歌蓼亮)>의 음악 계통과 용도 및 수록 배경

Abstract

Saenggayoryang on the book Siyonghyangakbo was a difficult song that could not be solved in that it has both the Chinese style meter structure as well as the down-tune final type and the Korean style of the five-note scale. Also, Saenggayoryang is a song in a different form from other singing songs on the same book, and it was more difficult to interpret the background. Therefore, this study is to reveal the music system through analysis and historical consideration of the form and to estimate the purpose and background of the song Saenggayoryang on the book Siyonghyangakbo. First, the characteristics of Saenggayoryang were compared with the musical elements of Chinese music and Korean music to reveal the music system. The Janggo cycle type of Saenggayoryang has the same one as Yeominrak, which was made as court music gochwiak in the early Joseon Dynasty, which stems from the jojeonsa method, a creative method of Song Dynasty gochwiak in China. Song dynasty of China created gochwiak by setting the music and writing the lyrics according to each ritual, which is called the jojeonsa method. Saenggayoryang is a Chinese music in that it has the same Janggo cycle type as the new music made by this early Joseon music based on Song dynasty’s, but Saenggayoryang be said to be a more deteriorated and summarized song in that it has changed to a five-tone scale and the length of the lyrics has been reduced by half. The reason why Saenggayoryang was included in the same book along with other hyangak songs is that it was played during the return of the fishing after the first year-end ritual, Gwanna, began on December 29th, Yeonsan-gun’s 11th reign. This is Hwangungak on the book Goryeosaakji, the root of Saenggayoryang, was also played at the time of the king’s return ritual after the Palgwanhoe, and the lyrics describe the reflection situation and the tradition of posting songs here. In other words, Saenggayoryang is a hypochondriac song created in the jojeonsa method so that Yeonsan-gun, who participated in the Gwanna during the Changdeok Palace narye ceremony on December 29th of Yeonsan-gun’s 11th reign can be played at the time of return to Changdeok Palace.