역사적 관점에서 본 이탈리아 르네상스
Italian Renaissance in the historical point of view
0
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
Understanding of scholars about Renaissance has some differences from the Age of Enlightenment to the Contemporary Period. Jacob Burckhardt was the great discoverer of the age of the Renaissance and the first master of cultural history. About half of the original edition was devoted to the art of the Renaissance. He defined the Renaissance as the period between Giotto and Michelangelo in Italy, that is, the 14th to mid-16th centuries. He saw in the Renaissance the emergence of the modern spirit of individuality, which the Middle Ages had stifled. Johan Huizinga acknowledged the existence of the Renaissance but questioned whether it was a positive change. In his book The Waning of the Middle Ages, he argued that the Renaissance was a period of decline from the High Middle Ages, destroying much that was important. Medieval scholars of the early 20th century asserted Renaissance of the Twelfth Century influenced the Italian Renaissance of the 15th century. But after the mid 20th century some of renaissance scholars refused this opinion. Many historians now prefer to use the term “Early Modern” for the period of the Renaissance, a more neutral designation that highlights the period as a transitional one between the Middle Ages and the modern era. More recently, some historians have been much less keen to define the Renaissance as a historical age, or even as a coherent cultural movement. I assert that the Italian Renaissance of the 15th century was a cultural movement.
Abstract
Understanding of scholars about Renaissance has some differences from the Age of Enlightenment to the Contemporary Period. Jacob Burckhardt was the great discoverer of the age of the Renaissance and the first master of cultural history. About half of the original edition was devoted to the art of the Renaissance. He defined the Renaissance as the period between Giotto and Michelangelo in Italy, that is, the 14th to mid-16th centuries. He saw in the Renaissance the emergence of the modern spirit of individuality, which the Middle Ages had stifled. Johan Huizinga acknowledged the existence of the Renaissance but questioned whether it was a positive change. In his book The Waning of the Middle Ages, he argued that the Renaissance was a period of decline from the High Middle Ages, destroying much that was important. Medieval scholars of the early 20th century asserted Renaissance of the Twelfth Century influenced the Italian Renaissance of the 15th century. But after the mid 20th century some of renaissance scholars refused this opinion. Many historians now prefer to use the term “Early Modern” for the period of the Renaissance, a more neutral designation that highlights the period as a transitional one between the Middle Ages and the modern era. More recently, some historians have been much less keen to define the Renaissance as a historical age, or even as a coherent cultural movement. I assert that the Italian Renaissance of the 15th century was a cultural movement.
참고문헌 (57)
- 김차규, "12세기 시칠리아의 노르만-아랍-비잔티움문화의 융합과 발전-로제 2세 시대와 윌리엄 2세 시대를 중심으로-", 지중해지역연구, 15(4), pp.31~54 (2013), 지중해지역원
- 찰스 나우어트, "휴머니즘과 르네상스 유럽문화" (2003), 혜안
- W. K. 퍼거슨, "르네상스사론" (1991), 집문당
- 프레드릭 M. 휠록, "휠록 라틴어 문법" (2013), 비블리카 아카데미아
- Huizinga, Johan, "중세의 가을" (1988), 문학과지성사
- Allen, Percy Stafford, "Opus epistolarum Erasmi" (1906)
- Biondo, F, "Historiarum ab inclinatione Romanorum imperii decades", Venice
- Bossuet, J. B., "Discours sur l'histoire universelle"
- Brandi, Karl, "Die Renaissance in Florenz und Rom" (1900), B.G. Teubner
- Bruckhardt, J., "Die Kultur der Renaissance in Italien" (1860), Basel
- Bruni, L., "Historiarum Florentini populi libri xii in Muratori" (1914), Citta' di Castello
- A. W. Ward, "Camgridge Modern History : I. The Renaissace" (1902), Cambridge University Press
- Celenza, Christopher S, "The Lost Italian Renaissance: Humanists, Historians, and Latin's Legacy" (2004), The Johns Hopkins University Press
- H. W., Petrarca, "Eppelscheimer" (1926), Bonne
- Erasmus, "Opera Omnia", ~
- Faral, E., "La littérature latine du Moyen Âge" (1925)
- Geanakoplos, Deno J., "Renaissance Humanism: Foundations, Forms, and Legacy" (1988), University of Pennsylvania Press
- Geiger, Ludwig, "Renaissance und Humanismus in Italien und Deutschland" (1882)
- Gibbon, Edward, "The History of the Decline and Fall of the Roman Empire" (1914), New York
- Goetz, W., "Propyläen Weltgeschichte" (1932)
- Gordon, George S., "Medium Aevum and the Middle Ages", S. P. E. Tract, (ZIX) (1925)
- Goulart, S., "Catalogus testium veritatis qui ante nostram aetatem Pape reclamaverunt", Lyons
- Hall, Marie Boas, "The Renaissance" (1982), Methuen & Co
- Harris, Jonathan, "Greek Émigrés in the West, 1400-1520" (1995), Porphyrogenitus
- Hay, Denys, "The Renaissance" (1982), Methuen & Co
- Katz, Victor J., "The mathematics of Egypt, Mesopotamia, China, India, and Islam: a sourcebook" (2007), Princeton University Press
- Knowles, David, "The Humanism of the Twelfth Century", Studies, 30 (1941)
- Lebedel, Claude, "Les Croisades, origines et conséquences" (2006), Editions Ouest-France
- Lehmann, Paul, "Vom Mittelalter" (1949), Rome
- Loomis, Louise Ropes, "The Greek Renaissance in Italy", The American Historical Review, 13(2) (1908)
- Machiavelli, N., "Istorie fiorentine", Florence
- Marshall, Peter, "Nicole Oresme on the Nature, Reflection, and Speed of Light", Isis, 72(3) (1981)
- Melanchthon, P., "De Luthero et aetatibus ecclesiae", Opera, ~
- Monfasani, John, "Byzantine Scholars in Renaissance Italy: Cardinal Bessarion and Other Émigrés, Selected Essays, Aldershot" (1995), Variorum
- Petrarch, "Epistolae de rebus familiaribus" (1859), Florence
- Rossi, V., "Il Quattrocento" (1933), Milan
- Sanford, Eva Matthews, "The Twelfth CenturyーRenaissance or Proto-Renaissance?", Speculum, 26 (1951)
- Schevill, F., "History of Florence" (1936)
- Schmitt, Charles B., "The Renaissance" (1982), Methuen & Co
- Sée, Henri, "Armand Rébillon et Edmond Préclin, Le XVIe siècle" (1950), Presses Universitaires de France
- Simonds, J. A., "Renaissance in Italy, 7volumes" (1875)
- Simone, F., "La Coscienza della Rinascita negli humanisti" (1939), La Rinascita
- Southern, R. W., "Medieval Humanism" (1970), Harper and Row
- Taine, Hippolyte, "The Philosophy of Art: Art in Italy" (1875), H. Holt and Company
- Tierney, Brian, "The middle Ages, vol. II: Readings in Medieval History" (1974), Alfred A. Knopf
- Trinkaus, Charles, "The Renaissance" (1982), Methuen & Co.
- Ullmann, Warlter, "Medieval Foundations of Renaissance Humanism" (1977), cornell University Press
- Ullmann, Warlter, "The Renaissance" (1982), Methuen & Co.
- Varga, L., "Das Schlagwort vom “finsteren Mittelalter”" (1932), Vienna
- Vasari, Giorgio, "LE VITE DE' PIÚ ECCELLENTI ARCHITETTI, PITTORI, ET SCULTORI ITALIANI, DA CIMABUE INSINO A' TEMPINOSTRI", Torrentino - Firenze
- Villani, G., "Rerum Italicarum scriptores", Milan
- Voltaire, "Remarques de l'Essai", Oeuvres
- Walsh, J. J., "The Thirteenth the Greated of Centuries" (1907), Catholic Summer School Press
- Weisinger, H., "Renaissance Theories of the Revival of the Fine Arts", Italica, XX (1943)
- Weisinger, H., "The Self-Awareness of the Renaissance as a Criterion of the Renaissance", Papers of the Michigan Academy, XXIX (1944)
- Weisinger, H., "The Renaissance Theory of the Reaction against the Middle Ages as a Cause of the Renaissance", speculum, XX (1945)
- Wilson, Nigel G.., "From Byzantium to Italy: Greek Studies in the Italian Renaissance" (1992), Johns Hopkins University Press
