문화정책 연구에 대한 학문 분야로서의 정체성 탐구
In Search of the Identity of Cultural Policy Research as a Discipline
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문화정책에 대한 연구는 어느 하나의 학문 분야에 모태를 두지 않고 다양한 학문적 관심과 분석들을 통해 발전했다. 국가가 어떠한 형태로든 문화의 영역에 작용을 가하면서 문화정책이 성립했다고 할 수 있으나 문화정책에 있어 학문적 분석에 대한 실질적 동기를 제공한 것은 문화이론으로 평가할 수 있다. 이 논문은 문화정책에 대하여 다양한 학문적인 탐구의 현황과 맥락을 살펴보고 이 과정에서 드러나는 문화정책연구에서의 공통된 한계와 가능성을 밝힘으로써 문화정책 연구가 어떠한 학문적 정체성을 확보할 수 있는가를 가늠해보고자 한다. 문화정책 연구에서 작지만 지속적인 학문 공동체를 형성하고 있는 문화사회학·행정학·경제학·경영학의 주된 저술과 연구들에 대한 맥락적 분석은 문화정책에 대한‘공통 영역(common field of research)’으로서 접근과 각각의 연구자들이 기초로 하고 있는‘고유한 방법론적 적용’면에서 어떠한 자세를 취해야 할 것인가에 대한 함축을 제공할 것이다.
Abstract
Cultural policy research has been performed by scholars from various research backgrounds. Cultural studies have provided substantial knowledge in the relevant policy process, and have also opened up new possibilities to be linked with practical academic fields of research. Public administration, economics, and management studies have contributed to the expansion of academic interest in arts and culture. However, there is skepticism that the only common denominator for all these attempts will be the ‘field’of research. This paper will examine the past findings and arguments imbedded in major disciplines that adopt cultural policy as a subject theme. By doing this, I intend to illustrate how cultural policy research should take its stand in doing interdisciplinary work.
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