부산시 무형문화재 9호 "부산영산재"의 전 예능보유자 구암의 소리 연구: <삼귀의>를 중심으로

Abstract

Beompae in Pusan Province has a unique feature in transmission. Intangible cultural assets No1 was given to <BeomeumBeompae> on November, 5, 1971 and its artistic talents holder was head monk monk. Yongun in mountain Geumjeong Gukcheong Temple. Unfortunately, aftermonk. Yongun passed away the next year, <BeomeumBeompae>was relieved from intangible cultural assets on March, 6. 1973. Fortunately, 20 years later on April, 20. 1993 monk. Guam and monk. Hyeryung who were taught by monk. Yongun. monk. Haegang in Nabi-dance dancing and monk. Cheonggong in Para-dance dancing, four of whom were the holders and successful in acquiring intangible cultural assets No9 in the name of PusanYeongsanjae. Although intangible cultural assets No1 and No9 of Pusan city were designated in different times and for different reasons, head monk monk. Guam and monk. Hyeryung in Beompae (intangible cultural assets No9) carried on the sound of monk. Yongun. The problem is that while the studies on Beompae in Pusan is mostly focused on monk. Yongun who was artistic talents holder of intangible cultural assets No1, it has been rare in studying the holders of No. 9, <PusanYeongsanjae>. Unlike a general trend of buddhism ritual which shows abbreviation and omission as time goes by, we can say that monk. Guam can be highly evaluated for expanding musical expressions like adding Jachulseong to the sound of monk. Yongun and making some variations by asserting pitch accents sol#. That means he had a excellent musical ability and is the aspects of Beompae melody in Pusan which flows from monk. Yongun to monk. Guam.