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한국 전통 장단과 재즈 리듬에 대한 연구: 유사성과 개별성을 바탕으로 한 상호 호환 가능성 모색

Different Perspectives on Similar Rhythmic Structures between Korean Traditional Music and Jazz

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By altering the concept of time and rhythm, music can be enriched and - sometimes radically - we can find a way for it to evolve into a whole new style. This research deals with different perspectives on how to apply rhythm upon similar rhythmic structures of Korean traditional music and Jazz, Latin music. Different interpretations are seen in both the way Korean traditional and jazz musicians treat the rhythm at hand. Similarities with rhythm also exist and the goal is to apply alternative approaches to performing and organizing rhythmic material to be able to push into a new direction of comtemporary music. This research represents a preliminary analysis of comparable rhythmic patterns such as Bembe and Jajinmori Jangdan, Jazz Waltz and Semachi Jangdan, New Orleans Second Line Groove and Bright Moon Scene Jangdan, Merengue and Hwimori Jangdan. The possibilities of employing rhythmic resources to each other are endless.

Abstract

By altering the concept of time and rhythm, music can be enriched and - sometimes radically - we can find a way for it to evolve into a whole new style. This research deals with different perspectives on how to apply rhythm upon similar rhythmic structures of Korean traditional music and Jazz, Latin music. Different interpretations are seen in both the way Korean traditional and jazz musicians treat the rhythm at hand. Similarities with rhythm also exist and the goal is to apply alternative approaches to performing and organizing rhythmic material to be able to push into a new direction of comtemporary music. This research represents a preliminary analysis of comparable rhythmic patterns such as Bembe and Jajinmori Jangdan, Jazz Waltz and Semachi Jangdan, New Orleans Second Line Groove and Bright Moon Scene Jangdan, Merengue and Hwimori Jangdan. The possibilities of employing rhythmic resources to each other are endless.

참고문헌 (9)

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  2. 김민, "전통음악의 동시대성을 찾는 길", 國樂院論文集, 30, pp.1~15 (2014), 국립국악원
  3. 김혜숙, "전통음악개론" (1995), 어울림
  4. 이지수, "한국 전통음악 장단에 대한 지도방안 연구" (2016), 경희대학교 교육대학원
  5. Bruhn, Siglind, "Messiaen’s Language of Mystical Love" (1998), Routledge
  6. Carrington J.F., "The Talking Drums Of Africa" (1949), Praeger
  7. Edward W. Large, "Resonating to Musical Rhythm: Theory and Experiment", The Psychology of Time, 189~232 (2008)
  8. Howard, Keith, "Why Do It That Way? Rhythmic Models and Motifs in Korean Percussion Bands", Asian Music, 23(1) (1991)
  9. Schuller, Gunther, "Early Jazz : I ts Roots And Musical Development" (1968), Oxford University Press

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