윤이상의 <고풍의상>: 박, 박자 및 리듬적 특징 연구
Isang Yun's <Traditional Attire>: Study of Actual Meter and Rhythmic Characteristics
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Yun's early art song <Traditional Attire> successfully represents the rhythmic characteristics of Korean traditional music, which is the coexistence of duple and triple meter in musical time. However, it has never been studied in depth. Thus, this paper will discuss how Yun brought out the rhythmic characteristics of Korean traditional music, not depending on any particular changddan (rhythmic patterns of Korean traditional music), and rhythmic features of the Korean text within the musical texture. In the course of the study, “Si-Jo," one of the three genres of traditional Korean classical art song, will be mentioned, and Pyongsijo <Dong-chang-i> will be examined to provide background discussion.
Abstract
Yun's early art song <Traditional Attire> successfully represents the rhythmic characteristics of Korean traditional music, which is the coexistence of duple and triple meter in musical time. However, it has never been studied in depth. Thus, this paper will discuss how Yun brought out the rhythmic characteristics of Korean traditional music, not depending on any particular changddan (rhythmic patterns of Korean traditional music), and rhythmic features of the Korean text within the musical texture. In the course of the study, “Si-Jo," one of the three genres of traditional Korean classical art song, will be mentioned, and Pyongsijo <Dong-chang-i> will be examined to provide background discussion.
참고문헌 (12)
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