호머 헐버트(Homer B. Hulbert)가 기록한 구한말 서울의 음악문화
Korean Folklore and Music before Westernization Written by Homer B. Hulbert Around 1900
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In the middle of 1880s, Korea started to open the gate to the western. Homer B. Hulbert(1863~1949) in his age of mid 20s came to visit Korea in 1886 as a English teacher of the nation first Royal English College. His first mission was teaching English to the future hierarchy of Korean government in national college, but he broadened his occupation in various field like Koreanology scholar, Seoul correspondent in American Newspaper, diplomat and a magazine publisher and editor. The most significant Hulbert＇s publication will be the book of Korean history The Passing of Korea(1906), and the main field of his research will be the Koreanology. Most of his papers are published through the monthly magazine The Korean Repository and The Korea Review which was published by the Western missionaries in Seoul. Until now, Korean musicologist value of his paper ‘Korean vocal music’(1896) because of the significance of the music script of Korean folk song Arirang which was the first folk song written in western score. Also, scholars recently find out that the first Korean national anthem which was composed by the german composer Eckert was not composed by him but revised melody from Hulbert’s song Parami-Punda. Because of the significance of these scholastic finding, Hulbert’s research paper Korean Vocal Music regained attention from the Korean musicologist. Homer Hulbert came to Korea when the westernization wave was just begun. It means that the relationships between cultural context and the musicing are still bonded strong. As a former Seoul correspondent and missionaries who conveyed the realities of Korean to the United States, he preserved the records in terms of conveying detailed information and respecting local culture, preserving the pre-western music culture and the way of existence in traditional society. In this paper, we reviewed the existence of music related to the customs of traditional society and reconstructed the performance of music in the traditional society that has disappeared through Hulbert’s paper. It is a great achievement of this paper that we confirmed the archetypes before the decontextualization of traditional music, such as festival performances related to New Year's Day in Seoul, women's musical activities, and specific aspects related to shamanism.
Abstract
In the middle of 1880s, Korea started to open the gate to the western. Homer B. Hulbert(1863~1949) in his age of mid 20s came to visit Korea in 1886 as a English teacher of the nation first Royal English College. His first mission was teaching English to the future hierarchy of Korean government in national college, but he broadened his occupation in various field like Koreanology scholar, Seoul correspondent in American Newspaper, diplomat and a magazine publisher and editor. The most significant Hulbert＇s publication will be the book of Korean history The Passing of Korea(1906), and the main field of his research will be the Koreanology. Most of his papers are published through the monthly magazine The Korean Repository and The Korea Review which was published by the Western missionaries in Seoul. Until now, Korean musicologist value of his paper ‘Korean vocal music’(1896) because of the significance of the music script of Korean folk song Arirang which was the first folk song written in western score. Also, scholars recently find out that the first Korean national anthem which was composed by the german composer Eckert was not composed by him but revised melody from Hulbert’s song Parami-Punda. Because of the significance of these scholastic finding, Hulbert’s research paper Korean Vocal Music regained attention from the Korean musicologist. Homer Hulbert came to Korea when the westernization wave was just begun. It means that the relationships between cultural context and the musicing are still bonded strong. As a former Seoul correspondent and missionaries who conveyed the realities of Korean to the United States, he preserved the records in terms of conveying detailed information and respecting local culture, preserving the pre-western music culture and the way of existence in traditional society. In this paper, we reviewed the existence of music related to the customs of traditional society and reconstructed the performance of music in the traditional society that has disappeared through Hulbert’s paper. It is a great achievement of this paper that we confirmed the archetypes before the decontextualization of traditional music, such as festival performances related to New Year's Day in Seoul, women's musical activities, and specific aspects related to shamanism.
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