신동엽 시에 나타난 ‘백제’와 ‘혁명’의 역사화- ‘아사달’, ‘아사녀’ 표상의 변주 양상을 중심으로 -

Abstract

The historical investigation of Shin Dong-yeop’s poem, Baekje, is a mixture of two kinds of mixed species, one of which is a feeling of ambivalence that a poet who attended elementary school as a dual generation felt about his hometown of ‘Buyeo’. The other is that Baekje, which is called ‘hometown’, is filled with ‘Asadal’ and ‘Asanyeo’ representations corresponding to ‘discovered tradition’. Shin Dong-yeop has dedicated the idea of ‘​revolution’ and ‘neutral’ to his own literary symbol against the grueling of modern history after the April Revolution. In this process, the ‘Asadal’ and ‘Asanyeo’ representations have gained a new literary meaning net. The way to associate the potential of the characters in the tradition of ‘Asadal’ and ‘Asanyeo’ with the historical context comes from Hyun Jin-gun. However, it can be said that the meaning has entered a new aspect by meeting with Shin Dong-yeop’s poem. ‘Asadal’ and ‘Asanyeo’, who were settled as the representations of the people who are the subjects of the revolution, are connected to the political ideology of the third world, ‘buffer zone’ or ‘neutral’ through the 1960s. In this process, the characters of the tradition tales, which were reintroduced as the poor protagonists of romance narratives in the latter half of the colony, become a proper noun showing the solidarity of the alienated beings in history. The result leads to the overthrow of retro traditionalism and non-political lyricism, which were popular in the 1950s paragraphs. In short, the context in which the figures ‘Asadal’ and ‘Asanyeo’ are transformed into symbols that make the combination of the revolution and the divided nation imagine is a compressed version of Shin Dong-yeop’s status in Korean literature since the 1960s.