소설「헛간을 태우다」와 영화「버닝」의 문화 텍스트적 변용과 확장―‘WHAT’에서 ‘WHY’로의 전환을 중심으로―

Abstract

This research is an analysis of the characteristics of the double narrative of the novel “Barn Burning” and based on this analysis, I compared the narrative structures represented in the movie “Burning.” In the movie, “Burning”, first, the relationship between “me” and “her” mediating between her and me, which is represented in the original work, was transformed into a love relationship between two men and women based on “HaeMi”, Second, it reflected the reality of the gap in society called “soil water” and “gold water spoon.” This demonstrates that the personal discourse of the self-loss in the novel can be converted to a periodical discourse through an open narrative structure, which was expressed in the movie. If so, the novels of Haruki can be re-evaluated in terms of universal specialty that can be altered in any era rather than being the exclusive property of a specific era.