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Yeats’s Heroic Farce: The Green Helmet

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This essay analyzes Yeats’s The Green Helmet focusing on the implication of the subtitle “An Heroic Farce.” First of all, it figures out why this play is a heroic farce through the exploration of the characters in the play. It is argued that Cuchulain displays such heroic aspects that Yeats considers as ideal heroism, whereas the other Irish warriors like Laegaire and Conall show anti-heroic qualities. The next step is to trace the reason that Yeats the playwright designated the subtitle on the basis of the historical context surrounding the play. The Green Helmet written right after The Playboy of the Western World riots in 1907 satirizes the disturbing situation, and it suggests Yeats’s revised heroism to modern Ireland. Finally, this essay argues that Yeats’s heroism could be considered as a farce to his contemporary Irish people.

Abstract

This essay analyzes Yeats’s The Green Helmet focusing on the implication of the subtitle “An Heroic Farce.” First of all, it figures out why this play is a heroic farce through the exploration of the characters in the play. It is argued that Cuchulain displays such heroic aspects that Yeats considers as ideal heroism, whereas the other Irish warriors like Laegaire and Conall show anti-heroic qualities. The next step is to trace the reason that Yeats the playwright designated the subtitle on the basis of the historical context surrounding the play. The Green Helmet written right after The Playboy of the Western World riots in 1907 satirizes the disturbing situation, and it suggests Yeats’s revised heroism to modern Ireland. Finally, this essay argues that Yeats’s heroism could be considered as a farce to his contemporary Irish people.

참고문헌 (21)

  1. Arrington, Lauren, "W.B. Yeats, the Abbey Theatre, Censorship, and the Irish Stage" (2010), Oxford UP
  2. Bradley, Anthony, "William Butler Yeats" (1979), Frederick Ungar Publishing Co
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  4. Friedman, Barton R., "Adventures in the Deeps of the Mind" (1977), Princeton UP
  5. Hussain, Tanveer, "Yeats and Celtic Heroism: An Appraisal", Journal of English Language and Literature (JOELL), 4, pp.144~147 (2017)
  6. Kojima, Chiaki, "J.M. Synge and Nationalism: Concerning “The Playboy of the Western World”", The Harp, 13, pp.50~60 (1998)
  7. Miller, Liam, "The Noble Drama of W.B. Yeats" (1977), Dolmen Press
  8. Moore, John Rees, "Masks of Love and Death : Yeats as Dramatist" (1971), Cornell UP
  9. Nietzsche, Friedrich, "Thus Spoke Zarathustra" (1961), Penguin
  10. Parkin, Andrew, "The Dramatic Imagination of W.B. Yeats" (1978), Gill and Macmillan
  11. Penskays, Elena N, "History and Drama: The Pan-European Tradition" (2020), Walter de Gruyter
  12. Ronsley, Joseph, "Yeats’s Autobiography: Life as Symbolic Pattern" (1968), Harvard UP
  13. Schneider, Joseph Leondar, "Unity of Culture in Yeat’s Drama (1980). Reviewed by Ronald Schuchard" (1980), Seoul National UP
  14. Shakespeare, William, "A Midsummer Night’s Dream" (1979), Methuen
  15. Taylor, Richard, "A Reader’s Guide to the Plays of W.B. Yeats" (1984), Macmillan
  16. Yeats, W.B., "The Collected Works of W.B. Yeats: The Plays" (2001), Palgrave
  17. Yeats, W.B., "Essays and Introductions" (1961), Macmillan
  18. Yeats, W.B., "Explorations" (1962), Macmillan
  19. Yeats, W.B., "The Complete Works of William Butler Yeats (Vol. 1-8)" (2023), Google Press
  20. Yoon, Kiho, "A Study on W. B. Yeats’s Cuchulain Plays : The Green Helmet", Journal of Humanities(The Institute for Humanities Research), 24, pp.139~167 (2002)
  21. Zadarko, Joanna, "Revisiting the Myth of Irishness and Heroism-An Analysis of W. B. Yeats’s The Green Helmet", Journal of Literature and Art Studies, 4(11), pp.911~915 (2014)

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