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The Conflict between Poet and Heroine in Yeats’s Plays: Focusing on The Countess Cathleen and The Player Queen

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This essay explores the conflict between poet and heroine in Yeats’s plays through a comparative analysis of the two plays The Countess Cathleen (1892) and The Player Queen (1922). It figures out how different the conflict is between poet and heroine in both plays. First, this essay analyzes the opposition between Aleel and Cathleen in The Countess Cathleen in order to find out how the poet is in contrast with the heroine. On the basis of the results, the opposing relation between Septimus and Decima in The Player Queen is investigated. This essay argues that Yeats still manifests the supremacy of subjectivity over objectivity through the conflict between poet and heroine even if the poet described in the conflict may seem different from the antithetical man in Yeats’s system.

Abstract

This essay explores the conflict between poet and heroine in Yeats’s plays through a comparative analysis of the two plays The Countess Cathleen (1892) and The Player Queen (1922). It figures out how different the conflict is between poet and heroine in both plays. First, this essay analyzes the opposition between Aleel and Cathleen in The Countess Cathleen in order to find out how the poet is in contrast with the heroine. On the basis of the results, the opposing relation between Septimus and Decima in The Player Queen is investigated. This essay argues that Yeats still manifests the supremacy of subjectivity over objectivity through the conflict between poet and heroine even if the poet described in the conflict may seem different from the antithetical man in Yeats’s system.

참고문헌 (21)

  1. Albright, Daniel, "W. B. Yeats: The Poems" (1990), Everyman
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  3. Clark, David R., "The Collected Works of W. B. Yeats" (2001), Palgrave
  4. Desai, Rupin, "W. Yeats’s Shakespeare" (1971), Northwestern UP
  5. Ellmann, Richard, "The Identity of Yeats" (1954), Faber and Faber
  6. Ellmann, Richard, "Yeats: The Man and the Masks" (1960), Faber and Faber
  7. Ellis, Sylvia C, "The Plays of W. B. Yeats: Yeats and the Dancers" (1995), Macmillan
  8. Foster, R. F, "W. B. Yeats: A Life. Volume I" (1998), Oxford UP
  9. Gould, Warwick, "The Collected Letters of W. B. Yeats: Volume Two 1896-1900" (1997), Clarendon
  10. 한민, "Yeats의 희곡에 나타난 詩人像—The Countess Cathleen과 The King’s Threshold를 중심으로", 새한영미어문학, 15, pp.59~79 (1982)
  11. Jeffares, Norman, "W. B. Yeats: Man and Poet" (1962), Routledge & Kegan Paul Ltd
  12. 김주성, "예이츠의 중기시에 나타난 모드 곤의 정치적 의미", 한국 예이츠 저널, 35, pp.5~23 (2011), 한국예이츠학회
  13. Parkin, Andrew, "The Dramatic Imagination of W. B. Yeats" (1978), Gill and Macmillan
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  15. Vendler, Helen H., "Yeats’s Vision and the Later Plays" (1963), Harvard UP
  16. Yeats, W. B, "Autobiographies" (1961), Macmillan
  17. Yeats, W. B., "A Vision" (1962), Macmillan
  18. Yeats, W. B, "Mythologies" (1959), Macmillan
  19. Yeats, W. B., "Plays in Prose and Verse" (1922), Macmillan
  20. 윤기호, "갈등의 주제로 예이츠 초기 희곡 읽기", 한국 예이츠 저널, 34, pp.99~122 (2010), 한국예이츠학회
  21. 윤기호, "『환상록』과 『배우 여왕』 읽기", 한국 예이츠 저널, 43, pp.315~334 (2014), 한국예이츠학회[DOI]

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