The Prologue in The Death of Cuchulain
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The Death of Cuchulain is Yeats’s last play, where the playwright identifies himself with the Irish hero of Cuchulain and delivers his last message about his theater through the Old Man in the prologue. The major focus of the essay is put on exploring Yeats’s idea of theater in the prologue and the theatrical function of the prologue. Further, it moves to surveying how the device serves to create a more effective dramatic illusion using anti-theatricalism. In conclusion, this essay argues that the prologue is an essential device to help Yeats’s anti-theatricality function properly in the play.
Abstract
The Death of Cuchulain is Yeats’s last play, where the playwright identifies himself with the Irish hero of Cuchulain and delivers his last message about his theater through the Old Man in the prologue. The major focus of the essay is put on exploring Yeats’s idea of theater in the prologue and the theatrical function of the prologue. Further, it moves to surveying how the device serves to create a more effective dramatic illusion using anti-theatricalism. In conclusion, this essay argues that the prologue is an essential device to help Yeats’s anti-theatricality function properly in the play.
참고문헌 (22)
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