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The Dramaturgy of Yeats’s The Death of Cuchulain

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The dramaturgy of Yeats’s The Death of Cuchulain lends itself to achieving the effect of eliciting nationalism, making the audience associate the play with Homer’s epics. Yet, it deviates in terms of dramaturgy from the conventional way of invoking patriotism in the audience by using the Old Man’s narration, Emer’s dance, and the Street-Singer’s song and by meticulous use of contrasting imagery and characterization. This paper discusses how Yeats chooses a unique way of eliciting nationalism through dramaturgic approach.

Abstract

The dramaturgy of Yeats’s The Death of Cuchulain lends itself to achieving the effect of eliciting nationalism, making the audience associate the play with Homer’s epics. Yet, it deviates in terms of dramaturgy from the conventional way of invoking patriotism in the audience by using the Old Man’s narration, Emer’s dance, and the Street-Singer’s song and by meticulous use of contrasting imagery and characterization. This paper discusses how Yeats chooses a unique way of eliciting nationalism through dramaturgic approach.

참고문헌 (11)

  1. Boosworth, Roxanne, "Changing the Story: Transformations of Myth in Yeats’s Poem ‘Cuchulain’s Fight with the Sea", Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature, 31(1), pp.119~131 (2012)
  2. Cave, Richard Allen, "A Style for Yeats’s Dance-plays: ‘The More Passionate is the Art the More Marked is the Selection", The Yearbook of English Studies, 9, pp.135~153 (1979)
  3. Homer, "The Iliad" (1990), Penguin Group
  4. Jochum, Klaus Peter, "Music of a Lost Kingdom: W. B. Yeats and the Japanese No Drama", Studi irlandesi. A Journal of Irish Studies, 2, pp.93~108 (2012)
  5. Johnson, Josephine, "Yeats: What Method? An Approach to the Performance of the Plays", The Quarterly Journal of Speech, 57, pp.68~74 (1971)
  6. Knowland, A. S. W. B, "With a preface by Cyril Cusack" (1983), Barnes and Noble Books
  7. Miller, Nicholas Andrew, "Modernism, Ireland and the Erotics of Memory" (2002), Cambridge UP
  8. Mohor-Ivan, Ioana, "Envisaging a Post-Colonial Theatre: W. B. Yeats and the Cuchulain Cycle of Plays", Cultural Intertexts, 6, pp.94~103 (2016)
  9. Moore, John R, "Cuchulain, Christ, and the Queen of Love: Aspects of Yeatsian Drama", The Tulane Drama Review, 6(3), pp.150~159 (1962)
  10. Reynolds, Paige, "Theatre of the Head’: Material Culture, Severed Heads, and the Late Drama of W. B. Yeats", Modern Drama, 58(4), pp.437~460 (2015)
  11. Yeats, W. B, "The Variorum Edition of The Plays of W. B. Yeats" (1965), Macmillan

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