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Cuchulain and Emer as Yeatsian Hero and Heroine in His Cuchulain Plays

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The purpose of this paper is to illustrate two central figures in Cuchulain plays: Cuchulain and his wife Emer. To Yeats, Cuchulain, as the greatest Celtic warrior, has already become a personal symbol of the hero as well as the national hero of Ireland. In his Cuchulain plays, Yeats demonstrates the heroic merits: a strong challenging spirit in At the Hawk’s Well, the selfless courage and sacrifice for his people in The Green Helmet, the conflict between the heroic ideal and the anti-heroic world in On Baile’s Strand, true love and self-sacrifice of Emer in The Only Jealousy of Emer, and the superior transcendence of the fear of death in The Death of Cuchulain. His wife Emer is more qualified than her two adversaries of love: more faithful than Fand and more courageous than Eithne Inguba. More importantly, by her renunciation of her love for the life of her husband, Emer proves to be an ideal counterpart to the hero. By analysing these two central figures, the nature of Yeats’s heroism and what he tried to show modern Ireland people can be found.

Abstract

The purpose of this paper is to illustrate two central figures in Cuchulain plays: Cuchulain and his wife Emer. To Yeats, Cuchulain, as the greatest Celtic warrior, has already become a personal symbol of the hero as well as the national hero of Ireland. In his Cuchulain plays, Yeats demonstrates the heroic merits: a strong challenging spirit in At the Hawk’s Well, the selfless courage and sacrifice for his people in The Green Helmet, the conflict between the heroic ideal and the anti-heroic world in On Baile’s Strand, true love and self-sacrifice of Emer in The Only Jealousy of Emer, and the superior transcendence of the fear of death in The Death of Cuchulain. His wife Emer is more qualified than her two adversaries of love: more faithful than Fand and more courageous than Eithne Inguba. More importantly, by her renunciation of her love for the life of her husband, Emer proves to be an ideal counterpart to the hero. By analysing these two central figures, the nature of Yeats’s heroism and what he tried to show modern Ireland people can be found.

참고문헌 (13)

  1. Bjersby, Birgit, "The Interpretation of the Cuchulain Legend in the Works of W. B. Yeats" (1950), Lundequist
  2. Bradley, Anthony, "William Butler Yeats" (1979), Frederick Ungar Publishing Co
  3. Knowland, A. S, "W. B. Yeats: Dramatist of Vision" (1983), Colin Smythe
  4. McAteer, Michael, "Yeats and European Drama" (2010), Cambridge UP
  5. McCready, Sam, "A William Butler Yeats Encyclopedia", pp.48~49 (1997), Greenwood Press
  6. Moore, John Rees, "Masks of Love and Death: Yeats as Dramatist" (1971), Cornell University Press
  7. Schneider, Joseph Leondar, "Unity of Culture in Yeats’s Drama" (1980), Seoul National University Press
  8. Taylor, Richard, "The Drama of W. B. Yeats: Irish Myth and the Japanese No" (1977), Yale University
  9. Yeats, W. B, "The Collected Letters of W. B. Yeats" (1955), Macmillan
  10. Yeats, W. B, "The Collected Plays of W. B. Yeats" (1977), Macmillan
  11. Yeats, W. B, "Essays and Introductions" (1961), Macmillan
  12. Yeats, W. B, "A Vison" (1937), Macmillan
  13. 윤기호, "쿠훌린극에 나타난 예이츠의 영웅관", 한국 예이츠 저널, 32, pp.63~99 (2009), 한국예이츠학회

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