南宋 문인의 三國 역사관 고찰 - 蜀漢 정통론과 인물 담론을 중심으로

Abstract

This article is to confirm various discourses of Records of the Three Kingdoms from authentic history, Records of the Three Kingdoms up to Romance of the Three Kingdoms and to investigate the historical view on three kingdoms of the scholars in South Song dynasty as a kind of investigation on the cultural meanings. As Song dynasty showed the obvious difference on the historical view for Three Kingdoms between North and South Song, it was the period to shift from legitimism of Cao Wei in North Song that attached the importance of trend and shape to legitimism of Shu Han that attached the importance of justice and faith. Hence, the establishment courses of Shu Han legitimism were reviewed and its facts that the scholars in South Song dynasty established were investigated in this study. In addition, we reviewed the evaluations on the characters in Three Kingdoms by Cao Cao, Liu Bei, Zhuge Liang, and Xun Yu. The scholars in North Song Dynasty tried to evaluate them in view of practicality differentiating from public and private matters clearly, while those in South Song Dynasty established the framework of the virtue and the vice by Liu Bei and Cao Cao. They described Zhuge Liang as the super powered man who had both the talents and the nobility, but maintained the critic tone to Xun Yu who joined in Cao Cao. Of course, these historical views on Three Kingdoms were from the special political environment of South Song Dynasty, however, it was confirmed that the emphasis on the roles of the literati as the teachers was exposed into this historical view, too. Hence, this article has the meaning to prepare the momentum to review on the meanings of historical views on Three Kingdoms by the scholars of South Song Dynasty while authentic history, Records of the Three Kingdoms was shifting into Romance of the Three Kingdoms.