장대(張岱) ≪서호몽심(西湖夢尋)≫의 서호 주변 사찰 경관에 관한 고찰
A Study on ZhangDai’s XiHuMengXun(≪西湖夢尋≫) the Landscape of Temples Around the XiHu(西湖)
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This study approached ZhangDai’s XiHuMengXun(≪西湖夢尋≫) with two keywords, ‘Scenery’ and ‘Buddhist temple’. This was intended to break away from research focused on literary perspectives and explore a new realm of landscape culture. ZhangDai made records as he recalled the past as his fanciful life of more than 50 years became vain like a dream, and regarded this as penance, which is XiHuMengXun. His writing of penance means his return to the temple landscape around Xihu. In ZhangDai’s XiHuMengXun, he was recognized as a space that was amalgamated with the lives of the secular people through the artificial structures of temples around Xihu. And, he discovered Buddhist reason from natural landscape elements, or to pursue aesthetic beauty with the realm of Chan realization. He also recognized the temple as an integrated space with the landscape nature of the Xihu, not as an independent space. He expressed the distant view of the temple through the view of the lake from the mountain, and depicted the scenery of the real and imaginary converging. Furthermore, XiHuMengXun paid attention to the hearing around the temple, visualized it, and presented both the hearing and vision to express the ream of Chan realization. His method of landscape recognition was sufficient to serve as a theoretical basis for the design of temple forests and spaces.
Abstract
This study approached ZhangDai’s XiHuMengXun(≪西湖夢尋≫) with two keywords, ‘Scenery’ and ‘Buddhist temple’. This was intended to break away from research focused on literary perspectives and explore a new realm of landscape culture. ZhangDai made records as he recalled the past as his fanciful life of more than 50 years became vain like a dream, and regarded this as penance, which is XiHuMengXun. His writing of penance means his return to the temple landscape around Xihu. In ZhangDai’s XiHuMengXun, he was recognized as a space that was amalgamated with the lives of the secular people through the artificial structures of temples around Xihu. And, he discovered Buddhist reason from natural landscape elements, or to pursue aesthetic beauty with the realm of Chan realization. He also recognized the temple as an integrated space with the landscape nature of the Xihu, not as an independent space. He expressed the distant view of the temple through the view of the lake from the mountain, and depicted the scenery of the real and imaginary converging. Furthermore, XiHuMengXun paid attention to the hearing around the temple, visualized it, and presented both the hearing and vision to express the ream of Chan realization. His method of landscape recognition was sufficient to serve as a theoretical basis for the design of temple forests and spaces.
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