同形异思——论韩国诗人和陶诗的纹与韵

Abstract

After years of careful consideration, Tao Yuanming gradually became a symbol of East Asian culture that transcends national borders. Learning and imitating Tao Yuanming’s works has also become an important literary practice for Korean literati. For Korean poets who write He-Tao-Shi, the value of imitating Tao Yuanming’s poetry is not only reflected in showcasing his literary heritage, but more importantly, expressing their pursuit of noble personality, love for nature, and helplessness towards reality through imitating Tao Yuanming’s poetry. They affirmed the value of Tao Yuanming’s poetry, but did not fully accept it in the process of learning and imitating. In the specific creative practice of He-Tao-Shi, while imitating the aesthetics of Tao Yuanming’s poetry, they also combined their unique national emotions and the poet’s own experiences to create poetry works that are very close to Tao Yuanming’s poetry. But overall, there are also phenomena of similarities and differences between their works and those of Tao Yuanming’s poetry, such as significant differences in self-identity, understanding of nature, and the integration of the objective world and psychological imagery, presenting artistic characteristics that are similar in appearance but different in essence. Therefore, it can be said that in specific literary practice, Korean poets who imitate Tao Yuanming’s poetry have embarked on a different literary path from Tao Yuanming in terms of their pursuit of self-worth, natural perception, and aesthetics. Their works naturally show a tendency of contrasting patterns and rhymes.