韓國漢詩에서의 「歸去來兮辭」의 형식적 변용 ― 「歸去來兮辭」를 바라보는 새로운 시선들

Abstract

This paper reiluminates literary value of Guiqulaici(歸去來兮辭) and aims to study formal transfiguration for Guiqulaici in korean classical poetry and obtain following results. Firstly, Guiqulaici is a literature which has the originality and novelty. Themes like wandering, self-examination, and reversionv are original subject which Tao Yuanming try to use in the Guiqulaici in the chinese literature. Literary style of Guiqulaici had been created by Tao Yuan-ming with his philosophy and literary value  as original literal convention to combine song(歌) and message(辭). Tao Yuan-ming used three-tier composition which co-exists past, present and future in a literary work. This is configuration method which is created by Tao Yuan-ming in order to depict ego in the future effectively. Originality of subject and form like this affect hermit Tao Yuan-ming’s idolization and let the Guiqulaici bring into vogue. Secondly, Guiqulaici had been transfigurated as form of Dutaocishi(讀陶辭詩), Yitaocishi(挹陶辭詩) and Jietaocishi(節陶辭詩) while being accommodated by korean classical poetry except the form “message(辭)”. Transfiguration of form is shorter than Guiqulaici and is suitable for representing purification, great cause and consumer’s aim refreshingly. Especially Yitaocishi(挹陶辭詩) as new literary style, is specialized by describing own’s life honestly  throughout accomodating event and scene of Guiqulaicivariously while comparing with Dutaocishi(讀陶辭詩) and Yitaocishi(挹陶辭詩).