东亚视域下高丽诗人李穑对杜甫诗歌的接受研究 — 以“雨诗”为中心
The Reception of Du Fu’s Poetry by the Goryeo Poet Yi Saek from a Trans East Asian Perspective:A Study Centered on the “Rain Poems”
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This paper, from a Trans East Asian perspective, focuses on the “rain poems” of Du Fu and the Goryeo poet Yi Saek, exploring Yi Saek’s reception, creative transformation, and localization of Du Fu’s poetic legacy. It begins by analyzing the themes and imagery in Du Fu’s rain poems, demonstrating how “rain” serves as a medium for expressing concerns about people’s livelihoods, a yearning for reclusion, and metaphors for political turmoil—ultimately reflecting both national sentiment and personal anxiety. Du Fu frequently constructs a melancholic chain of imagery in these poems, characterized by “autumn rain — damp cold — illness and decline.” The study then examines Yi Saek’s reception of Du Fu’s rain poems. In terms of the channels of reception, it reveals how Yi was profoundly influenced by Du Fu through civil service examination education, his diplomatic visits to China, and the broader dissemination of Du Fu’s poetry on the Korean Peninsula. Yi Saek’s admiration for Du Fu is evident and deep. In terms of modes of appropriation, Yi not only directly borrows linguistic expressions and imagery from Du Fu but also emulates his lyrical paradigm by integrating experiences of aging and illness into his rain-themed poetry. Strategically, Yi Saek distinguishes his poetic voice by incorporating concrete spatial depictions—especially of rivers—and by thematizing the very act of poetic creation within his poems. Finally, the paper argues that within the East Asian cultural context, Yi Saek inherits Du Fu’s reclusive ideals, embodying a spiritual structure commonly found among East Asian Confucian scholars. At the same time, Yi imbues his rain poems with philosophical reflection, elevating natural phenomena to metaphysical meditations on the cosmos and the Dao, thereby achieving a spiritual transition from “poetic history” to “poetic philosophy.” The reception and transformation of Du Fu’s rain poetry in the East Asian context offer fresh insight into how literature maintains vitality and generates diverse meanings through cross-cultural exchange. Yi Saek’s engagement with Du Fu’s rain poems serves as a representative case of literary circulation, aesthetic reconstruction, and cultural identity formation within the East Asian cultural sphere.
Abstract
This paper, from a Trans East Asian perspective, focuses on the “rain poems” of Du Fu and the Goryeo poet Yi Saek, exploring Yi Saek’s reception, creative transformation, and localization of Du Fu’s poetic legacy. It begins by analyzing the themes and imagery in Du Fu’s rain poems, demonstrating how “rain” serves as a medium for expressing concerns about people’s livelihoods, a yearning for reclusion, and metaphors for political turmoil—ultimately reflecting both national sentiment and personal anxiety. Du Fu frequently constructs a melancholic chain of imagery in these poems, characterized by “autumn rain — damp cold — illness and decline.” The study then examines Yi Saek’s reception of Du Fu’s rain poems. In terms of the channels of reception, it reveals how Yi was profoundly influenced by Du Fu through civil service examination education, his diplomatic visits to China, and the broader dissemination of Du Fu’s poetry on the Korean Peninsula. Yi Saek’s admiration for Du Fu is evident and deep. In terms of modes of appropriation, Yi not only directly borrows linguistic expressions and imagery from Du Fu but also emulates his lyrical paradigm by integrating experiences of aging and illness into his rain-themed poetry. Strategically, Yi Saek distinguishes his poetic voice by incorporating concrete spatial depictions—especially of rivers—and by thematizing the very act of poetic creation within his poems. Finally, the paper argues that within the East Asian cultural context, Yi Saek inherits Du Fu’s reclusive ideals, embodying a spiritual structure commonly found among East Asian Confucian scholars. At the same time, Yi imbues his rain poems with philosophical reflection, elevating natural phenomena to metaphysical meditations on the cosmos and the Dao, thereby achieving a spiritual transition from “poetic history” to “poetic philosophy.” The reception and transformation of Du Fu’s rain poetry in the East Asian context offer fresh insight into how literature maintains vitality and generates diverse meanings through cross-cultural exchange. Yi Saek’s engagement with Du Fu’s rain poems serves as a representative case of literary circulation, aesthetic reconstruction, and cultural identity formation within the East Asian cultural sphere.