晩唐에서 北宋 중기까지 詩壇에 대한 一考察 — 서곤파와 구양수를 중심으로
A Study on the Late Tang Dynasty to the Middle of the Northern Song Dynasty:Focusing on the Xikun School of Poetry and Ouyang Xiu
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This study examines the transformation of Chinese poetry from the late Tang period to the Song dynasty, with a particular focus on the Xikun Style and the works of Ouyang Xiu. Through a combination of close textual analysis and quantitative methods—including bigram frequency analysis and topic modeling—the paper investigates changes in poetic structure, diction, and thematic tendencies during this transitional period. The findings reveal that while the Xikun Style, shaped under the influence of Li Shangyin, primarily adhered to regulated verse(lüshi 律詩), Ouyang Xiu’s poetry marked a notable shift toward ancient-style verse(gushi 古詩). This shift reflects his commitment to Han Yu’s classical prose ideals and his leading role in the literary reform of the Northern Song. Lexical comparisons show that the Xikun Style retained strong overlap with Tang poetic vocabulary, whereas Ouyang Xiu’s diction aligned more closely with that of the broader Song poetic corpus, favoring more accessible and colloquial expressions. Thematically, Ouyang Xiu’s poetry demonstrates a wider scope, ranging from everyday emotional sentiments to social critique and philosophical reflection on nature. These diverse expressions suggest that poetic creation—even when centered around similar keywords or motifs—can differ significantly depending on historical context, political realities, and the poet’s personal standpoint. From this perspective, further investigation into figures such as Huang Tingjian—who best embodied the poetic style of the late Northern Song—and his literary successors Chen Shidao and Chen Yuyi of the Jiangxi School of Poetry, may offer deeper insights. Their connection to earlier traditions not only illuminates the development from Northern to Southern Song poetry but also enriches our broader understanding of the shift from Tang to Song poetic culture.
Abstract
This study examines the transformation of Chinese poetry from the late Tang period to the Song dynasty, with a particular focus on the Xikun Style and the works of Ouyang Xiu. Through a combination of close textual analysis and quantitative methods—including bigram frequency analysis and topic modeling—the paper investigates changes in poetic structure, diction, and thematic tendencies during this transitional period. The findings reveal that while the Xikun Style, shaped under the influence of Li Shangyin, primarily adhered to regulated verse(lüshi 律詩), Ouyang Xiu’s poetry marked a notable shift toward ancient-style verse(gushi 古詩). This shift reflects his commitment to Han Yu’s classical prose ideals and his leading role in the literary reform of the Northern Song. Lexical comparisons show that the Xikun Style retained strong overlap with Tang poetic vocabulary, whereas Ouyang Xiu’s diction aligned more closely with that of the broader Song poetic corpus, favoring more accessible and colloquial expressions. Thematically, Ouyang Xiu’s poetry demonstrates a wider scope, ranging from everyday emotional sentiments to social critique and philosophical reflection on nature. These diverse expressions suggest that poetic creation—even when centered around similar keywords or motifs—can differ significantly depending on historical context, political realities, and the poet’s personal standpoint. From this perspective, further investigation into figures such as Huang Tingjian—who best embodied the poetic style of the late Northern Song—and his literary successors Chen Shidao and Chen Yuyi of the Jiangxi School of Poetry, may offer deeper insights. Their connection to earlier traditions not only illuminates the development from Northern to Southern Song poetry but also enriches our broader understanding of the shift from Tang to Song poetic culture.