조선 후기 문인회화의 심미양상

Abstract

In the late Joseon Period, the literary personification used the expression “sim,” or natural sensibility, as the subject of artistic creation. During the late Joseon Dynasty, writers sought to find the essence of pure and true inner freedom and human values through the creation of literary paintings, free from the justification of Neo-Confucianism. The motivation for the creation of a literary personification is regarded as the inner freedom of human beings, or the sphere of freedom. They expressed their ideas and ideologies through literary creation. The expression of literary personification developed from the emotional form of moral ethics to the direction of moral practice in response to reality. As such, the practicality of moral ethics is revealed as an aesthetic reason in the literature of the late Joseon Dynasty. The artistic reason for Yangji’s paintings in the late Joseon Dynasty is the “autonomous expression” of the mind. The autonomous spirit of expression through self-awareness is based on moral and ethical ideologies and ideas learned and learned by the writers themselves. The “responsible autonomous spirit” expressed through psychological self-awareness can be said to be a proper demonstration of the artistic spirit of Yangji contained in literary personification. Yangji is in line with the ideal values of objective correctness, which are deviated from all personal desires. In other words, this means “coughing,” the aesthetic value of a calm and peaceful state in which the water bulk learned from learning has disappeared. “Cold” is not as thick as it is, and is a “quiet clear” with a natural clear and calm taste that excludes sensory finesse, wit, and decorative features. In the late Joseon Dynasty, a literary painting expresses the mind of a man named Sa in the form of a pure human desire. Sasa means that the author takes into account the composition of the canvas and knows exactly the shape of the object and moves it to the canvas, so the object shown explores and executes the mystery of new birth within the artist’s image. In the literature of the late Joseon Dynasty, the aesthetic value of “crisis” and the internal appreciation of reality and ideals were being realized. The artistic spirit of writers in the late Joseon Dynasty was pursuing aesthetic realization through the convergence and connection with the Bisociation, which is based on the autonomy of expression and creative art creation.