조선후기 문인화가의 예술ㆍ철학적 특징 一考

Abstract

The genre painting began with prehistoric mural paintings, showing the meaning of the origin, the appearance of everyday life, the characteristics of the characters, and the interclasses, and began to express various aspects of life at that time in a record and original way. The genre painting also has a historical value to show the images of the time in terms of historical records. Joseon, which achieved development through the Three Kingdoms and Goryeo Periods, established Joseon's unique style of painting, which was not influenced by China, and reached its peak in the late 18th century. Due to the changes in society and economy in the late Joseon Dynasty, the emergence of the newly rich brought about changes in the social and economic classes, and the leading forces of literature and arts in the late Joseon Dynasty faced changes. The middle class, which emerged as a new class, is represented by cultural needs and demand for an identity craving and inferiority complex for the aristocratic class, which has made the literary and artistic world richer. In addition, these extraneous changes give rise to the limitations of Neo-Confucianism, which was the social pre-dominant ideology of the time, and the desire for new ideas, and changes in cultural phenomena, academic trends and political ideologies occur throughout society. These changes were supplemented and modified on the basis of Neo-Confucianism, which emphasized the truth of sexuality regardless of status, as well as practical and realistic ideas, which changed the thoughts and views of the nobility, and led to the expression of the people’s lives through literature in the form of human natural intelligence. These changes and phenomena are centered on autographers of the nobility, who are writers of the nobility, who accept the novelty of realistic reality as well as the tradition of the past, and add aesthetic and emotional functions to express and describe the details of everyday life, such as the movements and facial expressions of the characters. For example, Gongjae Yun Du-seo, a representative autograph artist of the late Joseon Dynasty in the 18th century, and the creative attitude of self-painting shows a new aspect of late Joseon paintings, expressing a humanistic sensibility based on a humanistic theory that transcends identity, which is hard to find in the nobility of the nobility at that time. This humanistic sensibility led to Cho Young-seok, a government official, and while sticking to his pride and legitimacy as a master, he tried not to damage his respect for values by respecting the individual values of humans based on the theory of human nature and expressing the purity of existence as a due diligence. This self-fulfilling and creative attitude has influenced the development of modern art.