唐代 夢幻詩에 나타난 형상화의 특성과 그 의미
The Dream in Poems of Tang Dynasty and the Meaning of Imagery
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본 논문은 唐代 詩歌 중 꿈을 주요 소재로 하여 꿈속의 정경이나 체험을 묘사하거나 꿈이 동기가 되어 시상의 전개에 결정적인 역할을 하는 작품들을 夢幻詩로 정의하고 이러한 작품 속에서 꿈이 어떻게 형상화되며 그 의미는 무엇인지를 연구해보았다. 夢幻詩의 역사성을 중국 고대 占夢 문화와 『詩經』과 『楚辭』를 통하여 살펴보고 夢幻詩 속에 나타나는 꿈들을 見夢·歸夢·奇夢 세 유형으로 분류하여 그 주제와 내용을 살펴보았다. 이를 토대로 Ⅲ장에서는 夢幻의 形象化의 방식을 夢幻詩의 구조와 意象의 특징·唐 傳奇와의 관계를 통하여 살펴보고 최종적으로 시인이 꿈을 통해 형상화하고자 하는 바가 무엇인지 그 본질적 의미를 밝혔다.
Abstract
This research took the dream which appear in Tang Dynasty’s poetry as the major subject matters or defined those works where the dream took an important role in the development of poetic concept as Dream poem, and analyzed the correlation between the type of the dream in the works and the subject of the poems through concrete works. Furthermore, searched for the way of embodying dream which is the expression of human unconsciousness in letters by the creator, poet, and its meaning. To analyze the content of dream of Tang poetry which used dream as the main subject material, it can be classified as 1) Dream of meeting 2)Dream of returning 3) Mysterious Dream. In dream poem, the world of dream is realized through the structure of poem and image. Dream poems are mostly composed of the way of remembering the events in the dream and describing in reality. In case of the works of which main subjects are the events in the dream, basically follow the composition of ‘before dreaming-in the dream-after waking from dreaming’, through the transformation of this basic structure, various dream worlds are created. Dream world creates a world different from the reality, while imitating the reality. For this, the poets of Tang dynasty borrowed the gods and images which appeared in 『Chuci』, by utilizing the stories of ancient mythology legend. Under the influence of cultural background which pursued Tang dynasty’s Taoism, surreal world was created by borrowing Taoistic custom or Taoist hermit. In case of dream poems of which subject was death, a grotesque fantasy world was created by borrowing a strange story of general remark as the subject material.
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