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상대적 시간관에 따른 변화된 사진 표현방식 연구

A Study on the Changed Expression Methods on Photography Along with the Idea of Relative Times

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키워드

주제분류기타예술체육

초록

The verification of the idea of currency raised the possibility of the four-dimensional time existence and dismantled the idea of the absolute times. This study considered on the changed time idea by philosophical point of view and research on the way of expression along with the idea of relative times. Meanwhile, most of the idea of time studies have been limited to the general theory of time. However, many of temporality studies were focused on the way of interactive communications through the hypertext in which new media art field. We as a time being, try to explore the creative combination of relative time and cyclical time. At the same time, we actively embrace the pluralistic epistemology by the four-dimensional space-time through the perception for the concept of relative, fragmentary, and kairos time in digital age. Consequently, In this study, considered on the changed expression methods of photography that centered on the idea of relative time representation.

Abstract

The verification of the idea of currency raised the possibility of the four-dimensional time existence and dismantled the idea of the absolute times. This study considered on the changed time idea by philosophical point of view and research on the way of expression along with the idea of relative times. Meanwhile, most of the idea of time studies have been limited to the general theory of time. However, many of temporality studies were focused on the way of interactive communications through the hypertext in which new media art field. We as a time being, try to explore the creative combination of relative time and cyclical time. At the same time, we actively embrace the pluralistic epistemology by the four-dimensional space-time through the perception for the concept of relative, fragmentary, and kairos time in digital age. Consequently, In this study, considered on the changed expression methods of photography that centered on the idea of relative time representation.

참고문헌 (16)

  1. 송석랑, "시간과 철학 : 서양철학자들은 시간을 어떻게 이해하였는가", pp.287~334 (2009), 철학과 현실사
  2. 송영진, "시간과 철학 - 서양철학자들은 시간을 어떻게 이해하였는가", pp.253~286 (2009), 철학과 현실사
  3. 송태현, "상상력의 위대한 모험가들:융, 바슐라르, 뒤랑-상징과 신화의 계보학" (2005), (주)살림출판사
  4. 이영훈, "뉴미디어 아트와 시간" (2004), 도서출판 재원
  5. Beaumont Newhall, "사진의 역사" (1992), 열화당
  6. Foreign Quarterly Review, "사진의 역사" (1992), 열화당
  7. Henri Bergson, "의식에 직접 주어진 것들에 관한 시론" (2001), 민음사 아카넷
  8. Henri Bergson, "물질과 기억" (2005), 민음사 아카넷
  9. John Churchill, "사진의 역사" (1992), 열화당
  10. Lake Price, "A Manual of Photographic Manipulation" (1858), Oxford University
  11. Martin Lister, "디지털 시대의 사진이미지" (2000), 시각과 언어
  12. Michael Rush, "뉴미디어 아트" (2003), (주)시공사
  13. Paul virillio, "소멸의 미학" (2004), 연세대학교 출판부
  14. Photographic News, "사진의 역사" (1992), 열화당
  15. Sadakichi Hsrtman, "사진의 역사" (1992), 열화당
  16. Vilem Flusser, "사진의 철학을 위하여" (1999), 커뮤니케이션북스

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