사진 인덱스 특성과 시간성을 중심으로 한 연구자 작품의 이론적 고찰과 조형적 분석 연구
A Study on the Theoretical and Formative Analysis of My own's work focusing on the Photographic Index and Time
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This thesis aims to elucidate my work’s pictorial connotation and expressive possibility through an analysis of the content and form of my reproduced images, focusing on the features of the duplicability and indexicality of images. The primary direction of this study highlights the meaning and structure of my work in reference to the fundamental properties of photography employed in contemporary art. Based on the examination of the photo-index theory addressing photographic duplicability and indexicality, I analyze the main content and form of my work. Through this process, I intend to clarify how the thematic, plural meaning of time appears in my work’s structure. Photography today in the context of contemporary art has emerged as a pivotal medium in postmodernism art, turning away from the concept of originality in modernism through its features of duplicability and indexicality. The photo-index theory has been in the center of postmodernism discourse as the basis for expounding the conceptual principle of contemporary artworks, by discovering the theoretical ground of photography’s modernity. The aggressive use of photographs by postmodernism artists in this context signifies a critical meaning of photography. My concern with photography, based on the objective way of visual perception is about the pictorial possibility of an indexical trait derived from the physical properties of photography. A photographic index is a sort of symptomatic mark or trace indicating time, appearing through an effort to fix time. In this sense, my work with reproduced images demonstrates an exploration of the meaning of the everyday, interpreting daily life through the continuity and discontinuity of time, using the indexical traits of photographic reproduction. A chronicle of past time is one of the fundamental characteristics of photography. This temporality expands ontological meaning in the interpretation of the everyday. My intention to discover the meaning of the everyday is initiated by the concept of time. What I note in my photographic reproduction is the meaning of time and reinterpretation of everyday.
Abstract
This thesis aims to elucidate my work’s pictorial connotation and expressive possibility through an analysis of the content and form of my reproduced images, focusing on the features of the duplicability and indexicality of images. The primary direction of this study highlights the meaning and structure of my work in reference to the fundamental properties of photography employed in contemporary art. Based on the examination of the photo-index theory addressing photographic duplicability and indexicality, I analyze the main content and form of my work. Through this process, I intend to clarify how the thematic, plural meaning of time appears in my work’s structure. Photography today in the context of contemporary art has emerged as a pivotal medium in postmodernism art, turning away from the concept of originality in modernism through its features of duplicability and indexicality. The photo-index theory has been in the center of postmodernism discourse as the basis for expounding the conceptual principle of contemporary artworks, by discovering the theoretical ground of photography’s modernity. The aggressive use of photographs by postmodernism artists in this context signifies a critical meaning of photography. My concern with photography, based on the objective way of visual perception is about the pictorial possibility of an indexical trait derived from the physical properties of photography. A photographic index is a sort of symptomatic mark or trace indicating time, appearing through an effort to fix time. In this sense, my work with reproduced images demonstrates an exploration of the meaning of the everyday, interpreting daily life through the continuity and discontinuity of time, using the indexical traits of photographic reproduction. A chronicle of past time is one of the fundamental characteristics of photography. This temporality expands ontological meaning in the interpretation of the everyday. My intention to discover the meaning of the everyday is initiated by the concept of time. What I note in my photographic reproduction is the meaning of time and reinterpretation of everyday.
참고문헌 (34)
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