빛과 시간에 대한 사진적 연구 - 사진작품 <Foresta> 연작을 중심으로 -
A Study on the Photographic Research of Light and Time - Focused on the series of <Foresta> -
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참고문헌
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초록
The series of the <Foresta> is a photograph work by the writer combining photographs and installation including the <Foresta - quasi a due> and <Foresta - reverse>. This research aims to study the notions of light and time prompted in the process of working on the <Foresta> series which takes a dark forest of an environment of specific light conditions as a subject matter. The unique photographing method of emitting the large amount of low light running behind the tripod as leaving the shutter open was required in order to realize minutely scattering lights in the dark forest. This act of moving and shooting light is a basic element of the works, leading to the questions as to the light and time. A series of <Foresta> an outcome of the concern and experiment regarding the medium of photography. The <Foresta - reverse> and <Foresta - quasi a due> attempted to work with different media are also drawn from the processes of researching the light and time. Through this research, it is expected to see the new examination that the photography with a great diversity of potentiality will acquire not only as a contemporary art but also as a theory of photography.
Abstract
The series of the <Foresta> is a photograph work by the writer combining photographs and installation including the <Foresta - quasi a due> and <Foresta - reverse>. This research aims to study the notions of light and time prompted in the process of working on the <Foresta> series which takes a dark forest of an environment of specific light conditions as a subject matter. The unique photographing method of emitting the large amount of low light running behind the tripod as leaving the shutter open was required in order to realize minutely scattering lights in the dark forest. This act of moving and shooting light is a basic element of the works, leading to the questions as to the light and time. A series of <Foresta> an outcome of the concern and experiment regarding the medium of photography. The <Foresta - reverse> and <Foresta - quasi a due> attempted to work with different media are also drawn from the processes of researching the light and time. Through this research, it is expected to see the new examination that the photography with a great diversity of potentiality will acquire not only as a contemporary art but also as a theory of photography.
참고문헌 (11)
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- Gerhard Staebler, "이미지. 소리. 없음" (2009), PFAU
- Gilles Deleuze, "베르그송주의" (1996), 문학과 지성사
- Hermann Hesse, "수레바퀴 아래서" (1997), 민음사
- Nathaniel Hawthorne, "영 굿맨 브라운" (2010), 창비
- 김은석, "기형도 문학 연구", 박사, 문예창작학과 문학창작전공, pp.2013
- 박광열, "디지털카메라를 이용한 오토플래시 성능평가", 석사, 디지털과학사진, pp.2008
- 서학연, "19세기 사진 인화 프로세스와 기술적 활용에 관한 연구", 박사, 사진학과 순수사진전공, pp.2012
- 원종란, "포토저널리즘에서의 Small lighting에 관한 연구", 석사, 상업사진, pp.1998
- 조희영, "너새니얼 호손의 단편소설에 나타난 청교도 사회와 개인", 석사, 영어영문학과 영문학전공, pp.2013
- 박평종, "카메라 옵스쿠라(Camera Obscura)의 문화사적 배경 -자연학에서 과학혁명까지-", AURA, (25), pp.7~17 (2011), 한국사진학회
