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인물사진에서의 시간인식과 인물간의 교감에 관하여 - Thirty-Minute Dialog, One-Hour Portrait 시리즈를 중심으로 -

Regarding time perception in portrait photography and empathy between people - Focused on the series Thirty-Minute Dialogue, One-Hour Portrait-

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키워드

주제분류기타예술체육

초록

The act of taking a portrait photograph is a historical event that captures the flow of the past and present in the image. Since the mid-1990s I have been searching for new questions and methodological alternatives through doubts about the perceptions that have been traditionally and absolutely regarded in photography history. One of them relates to the role of the photographer and the person to be photographed', which is the subject of shooting in portrait photography, and the other that follows is related to the perception of time contained in the picture, the uniqueness of time', Experimental attempts have been made to implement works through technical experiments. The strong skepticism resulting from the continuous experience of the inconsistency between the photograph and the person created the inevitability of pursuing new possibilities behind the scenes while still respecting the valid traditional perception in many cases and denying it. This article contains some descriptions of the background and production process of representative experimental series based on the awareness of the problem of photography that began to be intensively dealt with in the mid-1990s. This reveals that this is not an article about the artist's own analysis or interpretation of the work.

Abstract

The act of taking a portrait photograph is a historical event that captures the flow of the past and present in the image. Since the mid-1990s I have been searching for new questions and methodological alternatives through doubts about the perceptions that have been traditionally and absolutely regarded in photography history. One of them relates to the role of the photographer and the person to be photographed', which is the subject of shooting in portrait photography, and the other that follows is related to the perception of time contained in the picture, the uniqueness of time', Experimental attempts have been made to implement works through technical experiments. The strong skepticism resulting from the continuous experience of the inconsistency between the photograph and the person created the inevitability of pursuing new possibilities behind the scenes while still respecting the valid traditional perception in many cases and denying it. This article contains some descriptions of the background and production process of representative experimental series based on the awareness of the problem of photography that began to be intensively dealt with in the mid-1990s. This reveals that this is not an article about the artist's own analysis or interpretation of the work.

참고문헌 (4)

  1. 안소연, "천경우인터뷰,『아트스팩트럼 2006』", 삼성미술관 리움 전시도록, ~ (2006)
  2. Jaana Pruess, "in conversation with Kyungwoo Chun,『Kyungwoo Chun-EIDOLON』", Pruess & Ochs Gallery Berlin, 2003
  3. Enno Kaufhold, "지속의 초상-천경우와나누는 30분간의 대화, 『Kyungwoo Chun-1998-2000』", 성곡미술관 전시도록, ~ (2001)
  4. 박평종, "의심과 회의-천경우의 방법론", 월간사진 (2008)

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