14세기 시에나 시청사(Palazzo Pubblico)의 벽화들: 정치적 이데올로기를 중심으로
The Frescoes of Siena's Palazzo Pubblico in the 14th century: Focusing on the Political Ideology
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This paper explores political ideology in the frescoes in Palazzo Pubblico in Siena. In the introductory part, I discuss how geopolitical conditions, natural resources, and entrepreneur sprit contributes to the prosperity of Sienna. In the second chapter, I consider the various activities of le Noveschi (1287-1355), which include civic pane, a series of public enterprises, territorial expansion, and patronage of art. The third chapter deals with "Maestà" and "Guidoriccio da Fogliano." In particular, I argue that Simone Martini's Maestà gives voice to the solidarity of good politicians and citizens in addition to traditional faith of Virgin Mary. On the other hand, the portrait of Guidoriccio da Fogliano describes in a realistic way contado, which Sienna has just secured. The fourth chapter turns to Ambrogio Lorenzetti's "War and Peace," which is comprised of "Allegory of the Good Government," "Effects of Good Government on the City Life and the Countryside," and "Bad Government and the Effects of Bad Government on the City Life." The main message of these paintings is that justice is the cardinal virtue of political leaders. The frescoes in Palazzo Pubblico as a whole, reveals that Sienna's political ideology in fourteenth century is 'good politics' based on Christianity.
Abstract
This paper explores political ideology in the frescoes in Palazzo Pubblico in Siena. In the introductory part, I discuss how geopolitical conditions, natural resources, and entrepreneur sprit contributes to the prosperity of Sienna. In the second chapter, I consider the various activities of le Noveschi (1287-1355), which include civic pane, a series of public enterprises, territorial expansion, and patronage of art. The third chapter deals with "Maestà" and "Guidoriccio da Fogliano." In particular, I argue that Simone Martini's Maestà gives voice to the solidarity of good politicians and citizens in addition to traditional faith of Virgin Mary. On the other hand, the portrait of Guidoriccio da Fogliano describes in a realistic way contado, which Sienna has just secured. The fourth chapter turns to Ambrogio Lorenzetti's "War and Peace," which is comprised of "Allegory of the Good Government," "Effects of Good Government on the City Life and the Countryside," and "Bad Government and the Effects of Bad Government on the City Life." The main message of these paintings is that justice is the cardinal virtue of political leaders. The frescoes in Palazzo Pubblico as a whole, reveals that Sienna's political ideology in fourteenth century is 'good politics' based on Christianity.
참고문헌 (21)
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