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Artistic Contact between Italy and Mongol Eurasia: State of the Field

Anne Dunlop
이화사학연구소 (Ewha Historical Institutions)|2018.12|이화사학연구 (EWHA SAHAK YEONGU)|제57호|pp. 1-36|DOI 10.37091/ewhist.2018..57.001

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키워드

Ambrogio LorenzettiFranciscansCross-cultural artistic exchangeMongol empirestrecento art

초록

Until recently, there had been little study of the links between Italian art and Mongol Eurasia. This is now changing, as art historians have grown more interested in global art, and in artistic exchange and contact across cultures. This essay offers a short overview of this developing field. It first discusses the types of visual evidence available for study. It then gives a brief history of research. It ends with a single case study: a large wall painting in Siena by the local painter Ambrogio Lorenzetti. Since the year 2000, there have been several articles on this painting. It is thus a useful example of how research in this field is developing, and of the challenges of evidence and method that occur.

Abstract

Until recently, there had been little study of the links between Italian art and Mongol Eurasia. This is now changing, as art historians have grown more interested in global art, and in artistic exchange and contact across cultures. This essay offers a short overview of this developing field. It first discusses the types of visual evidence available for study. It then gives a brief history of research. It ends with a single case study: a large wall painting in Siena by the local painter Ambrogio Lorenzetti. Since the year 2000, there have been several articles on this painting. It is thus a useful example of how research in this field is developing, and of the challenges of evidence and method that occur.

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