한국 현대문학의 생태학적 고찰

Abstract

The ecological study of literature could be defined as a cultural response to the socio-culture shock of the modern times. In this writing, based on the premise that the most dynamic and sharpest keyword for the contemporary aesthetics is the ecological ground, the writer carefully tries to analyze and explain three texts which are believed to be formulating the aesthetic hierarchy of the above. The core of that explanation is composed of ‘double-binding’ and ‘Bul-yeon-gi-yeon’. Kim Su Young is such a poet who successfully sublimated the expression of freedom by literature of which he had been pursuing continuously into ecological aesthetics. The abstruseness of the poems written by Kim Su Young should be defined as another expression of ambiguity, whichis the essence of life to the author. His language closely approaches the essence of ecology, of which the indigenous language contains. This effort stands against the issue on the “speed” of the modern literature, but at the same time, it is filled with the ecological rules of composition. On the other hand, the most meaningful and important issue of Kim Ji Ha’s definition of life could be compressed to a word, ‘Yul-ryeo’. Yul-ryeo, a form of cultural movement and practice of culture, introduces the Copernican revolution about modern understanding of life to the people of the same age. In conclusion, the ultimate objects of this writing through concrete construction of the texts are the ecological leap and dimensional qualitative change. Keyword : ecological Literature, double binding, Bul-yeon-gi-yeon, Yul- ryeo, mbiguity, Kim soo yeong, Lee Mun Goo, Kim ji ha