19세기 러시아 안티니힐리즘 소설의 니힐리즘적 상상력 : 도스토옙스키의 『악령』과 레스코프의 『견원지간』의 대화적 관계를 중심으로
Nihilist Imagination in Dostoevsky’s the Possessed and Leskov’s at Daggers Drawn
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Russian antinihilist novels of the second half of the 19th century are often criticized for sacrificing artistry in order to accuse contemporary nihilists. Among the factors often cited as contributing to the less artistic and denunciatory style of antinihilist novels are the blatant caricature of the nihilists and the crime narrative that corresponds to destructive logic of nihilism. Dostoevsky's The Possessed and Leskov's At Daggers Drawn, which were serialized at the same time in the Russian Messenger, are also categorized as antinihilist novels because of the characteristics mentioned above. However, inspired by good contrast between the two novels' nihilistic imagination, this article tried to argue how each work attempted to invent their own literary ‘nihilism’. Both novels depict the shame of an opinion of their own and the blind pursuit of ‘our side’ that prevent true conversion/repentance. Nihilists Gordanov and Pyotr, who are transformed into outright crooks in each novel, use the logic of nihilism to lord it over ‘our side’ and plot crimes. However, the crime evolves into a narrative of healing for the novel, as the people with their own understanding of evil act to eradicate the evil. The two novels differ in their use of the plague as a metaphor and fire as its consequence. Whereas Dostoevsky alludes to the energy of the people inherent in the mystery of fire, Leskov emphasizes the initiative of the people in their rituals of eradicating the plague. Nevertheless, with the intervention of some veiled force of will, the crime narrative of both novels approaches a higher level of redemption.
Abstract
Russian antinihilist novels of the second half of the 19th century are often criticized for sacrificing artistry in order to accuse contemporary nihilists. Among the factors often cited as contributing to the less artistic and denunciatory style of antinihilist novels are the blatant caricature of the nihilists and the crime narrative that corresponds to destructive logic of nihilism. Dostoevsky's The Possessed and Leskov's At Daggers Drawn, which were serialized at the same time in the Russian Messenger, are also categorized as antinihilist novels because of the characteristics mentioned above. However, inspired by good contrast between the two novels' nihilistic imagination, this article tried to argue how each work attempted to invent their own literary ‘nihilism’. Both novels depict the shame of an opinion of their own and the blind pursuit of ‘our side’ that prevent true conversion/repentance. Nihilists Gordanov and Pyotr, who are transformed into outright crooks in each novel, use the logic of nihilism to lord it over ‘our side’ and plot crimes. However, the crime evolves into a narrative of healing for the novel, as the people with their own understanding of evil act to eradicate the evil. The two novels differ in their use of the plague as a metaphor and fire as its consequence. Whereas Dostoevsky alludes to the energy of the people inherent in the mystery of fire, Leskov emphasizes the initiative of the people in their rituals of eradicating the plague. Nevertheless, with the intervention of some veiled force of will, the crime narrative of both novels approaches a higher level of redemption.
참고문헌 (27)
- 권철근, "<악령>에 나타난 스타브로긴의 실험과 오만", 슬라브硏究, 18(2), pp.171~198 (2002), 러시아연구소
- 김연경, "신화화-탈신화화의 메커니즘과 ‘소설-비극’ 『악령』", 러시아어문학연구논집, (32), pp.9~39 (2009), 한국러시아문학회[DOI]
- 백준현, "왜곡된 동심원의 비극 -도스토예프스키 <악령>의 구조적 통일성-", 노어노문학, 15(2), pp.371~403 (2003), 한국노어노문학회
- 시미즈 마사시, "도스또예프스끼가 말하지 않은 것들" (2011), 열린책들
- 허선화, "<악령>의 세계 - 공상의 왕국", 노어노문학, 19(3), pp.321~351 (2007), 한국노어노문학회
- Аннинский Л., "Лесковское ожерелье" (2012), Библиополис
- Булгаков С, "<<Бесы>> : Антология русскойкритики", pp.489~508 (1996), Согласие
- Виницкий И., "Русские духи: Спиритуалистический сюжет романа Н. С. Лескова «На ножах» в идеологическом контексте 1860-хгодов", НЛО, 5 (1860)
- Достоевский Ф.М., "Полное собрание сочинений в 30 томах" (1990), Наука
- Карякин Ю., "Достоевский и апокалипсис" (2009), Фолио
- Козлов А, "Проспективный потенциал словосочетания <<свежиераны>> в лейтмотивной структуре романа Н.С. Лескова<<На ножах>>", Текст. Книга. Книгоиздание, 14, pp.31~45 (2017)
- Кучерская М., "Лесков : Прозёванный гений" (2021), Молодая гвардия
- Лесков Н., "Собрание сочинений в двенадцати томах" (1989), Правда
- Лесков Н., "Собрание сочинений в одиннадцати томах" (1956), Государственное издательство художественной литературы
- Минаев Д, "Невинные заметки", Дело, 11, pp.54~75 (1871)
- Мочульский К., "Достоевский : жизнь и творчество" (1908), YMCA-PRESS
- Поддубная Р.Н., "<<Удивительная судьба этого Стебницкого...>>:<<На ножах>> в творческой истории <<Бесов>>, странникиЛескова и Достоевского", Достоевский и мировая культура, 10, pp.162~179 (1998)
- Пульхритудова Е, "Достоевский и русские писатели. Традиции, новаторство, мастерство: Сб. Статей", pp.87~138 (1971), Советскийписатель
- "<<Бесы>>: <<...под наблюдением Заславского>>. Издательство <<Academia>>. Год 1935-й"[URL]
- Селезнев Ю, "В мире Лескова. Сборникстатей", pp.123~148 (1983), Советский писатель
- Старыгина Н.Н., "Русский роман в ситуации философско-религиознойполемики 1860-1870-х годов" (2003), Языки славянской культуры
- Туниманов В.А., "Достоевский Ф. М. Полное собрание сочинений в 30 томах. Т. 12" (1975), Наука
- Тургенев И.С., "Полное собрание сочинений и писем в 30 томах. Т. 5" (1980), Наука
- Шелаева А, "На ножах", pp.3~12 (1994), Русская книга
- Berry, E, "Dostoevsky and Spiritualism", Dostoevsky Studies, 1, pp.43~49 (1980)
- Petrov, К, "Strike Out, Right and Left! : A Conceptual-Historical Analysis of 1860s Russian Nihilism and Its Notion of Negation", Studies in East European Thought, 71, pp.73~97 (2019)
- Thorstensson, V, "The Inkwell of "The Russian Messenger": Editorial Politics and the Serialization of Dostoevsky's "Demons” and Leskov's "At Daggers Drawn"", The Russian Review, 5(1), pp.26~50 (2016)