基于格雷马斯符号学谈电影《独行月球》的叙事

Abstract

The purpose of this study is to analyze the high grossing phenomenal movie “Solo Moon” through Greimas semiotics and Freudian personality structure theory, so as to obtain the deep narrative logic of the movie and use it to uncover the relationship between the textual message and society.The research method of this paper is textual analysis, mainly using the actor model in Greimas semiotics, semiotic matrix combined with Freudian personality structure theory to analyze the film text object. Through Greimas surface narrative analysis, the surface narrative relationship between the subject Doktor Moon and the object Ma Lansing, as well as the auxiliary Vajra Rat and others with the antagonist π and π+ is obtained. And this is substituted into the symbolic matrix to analyze the three sets of antagonistic contradictory and implicative relationships in the narrative, which are the antagonistic relationship between S1 intermediary and S2 marital love crisis, S1 intermediary and ~S1 love and family, S2 marital love crisis and ~S2 friendship and affection, and S1 intermediary and ~S2, friendship and affection, S2 marital love crisis and ~S1 love and family implicative relationships.The film constructs a yin and yang social family as well as marriage relationship under the genre of comedy, and the root of the conflict and contradiction in the narrative is caused by the mismatch between the view of love, marriage and family of both sexes in the marriage and family structure under the phenomenon of yin and yang in the current society. That is, the mismatch between the traditional concept of marriage and love under the collective unconscious of society and the demands of the social other on the gaze of men and women in the workplace. Research scholars need to be alerted to the fact that the increase in the number of similar film genres will lead to aesthetic and collective subconscious drift in society.