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한형모 감독 스타일 연구 ― 1950년대 영화를 중심으로 ―

A Study on the Style of Director Han Hyung-mo - centered on 1950s movies-

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참고문헌

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주제분류기타인문학

초록

Han Hyung-mo was a top box office director in the 1950s and a pio- neer in Korean film technology, who was adept at every process of film- making, from filming, directing and editing. This study looked at five films directed by Han Hyung-mo in the 1950s through style analysis on how classic Hollywood styles at that time were reproduced in Korean pop- ular movie or genre films. Han Hyung-mo is a director who best reflected Hollywood styles and entered university in Korean films of the 1950s, compared to other Korean films of his time. Han Hyung-mo’s works showed a relatively high stand- ard of narrative form and style. Given that the Korean films of the 1950s consisted of narrative form and style centered on storytelling, the percep- tion of style can only be seen as being driven by the director’s own consciousness. Therefore, Han Hyung-mo's style research could contribute to later research on Korean film styles. It will also give you a glimpse of how Korean popular movie, or genre, styles were being reproduced in the film at that time.

Abstract

Han Hyung-mo was a top box office director in the 1950s and a pio- neer in Korean film technology, who was adept at every process of film- making, from filming, directing and editing. This study looked at five films directed by Han Hyung-mo in the 1950s through style analysis on how classic Hollywood styles at that time were reproduced in Korean pop- ular movie or genre films. Han Hyung-mo is a director who best reflected Hollywood styles and entered university in Korean films of the 1950s, compared to other Korean films of his time. Han Hyung-mo’s works showed a relatively high stand- ard of narrative form and style. Given that the Korean films of the 1950s consisted of narrative form and style centered on storytelling, the percep- tion of style can only be seen as being driven by the director’s own consciousness. Therefore, Han Hyung-mo's style research could contribute to later research on Korean film styles. It will also give you a glimpse of how Korean popular movie, or genre, styles were being reproduced in the film at that time.

참고문헌 (14)

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  4. 오영숙, "1950년대, 한국영화와 문화 담론" (2007), 소명출판
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  7. 이효인, "전후(戰後)의 한⋅중⋅일 멜로드라마 비교연구-‘불연속 전이성’을 중심으로-", 영화연구, (59), pp.253~282 (2014), 한국영화학회[DOI]
  8. 정종화, "한국영화의 풍경 1945-1959" (2003), 문학사상사
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  10. 조은선, "전후 한국 멜로드라마 담론을 통해 본영화적 근대성과 근대적 여성상", 문학과 영상, 8(3), pp.231~252 (2007), 문학과영상학회
  11. 조준형, "한국영화의 풍경: 1945-1959" (2004), 문학사상사
  12. 한국영상자료원, "한형모" (2008), 한국영상자료원
  13. 한국영상자료원, "한국영화를 말한다" (2005), 이채
  14. 한영현, "전후 재건 공간의 영화적 재현과 계몽의 변증법 - 1950년대 한국 영화를 중심으로 -", 돈암어문학, 34, pp.195~220 (2018), 돈암어문학회[DOI]

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