일제강점기 한시(漢詩) 잡지 해동집의 간행과 특성 연구

Abstract

Modern printing media competitively carried modern ideas, including various modern knowledge and institutions, and provided a forum for discussions on producing and spreading them. Modern print media used magazine styles to form knowledge concepts and communicate them to multiple people. During this period, Chinese-language magazines such as DaedongSisun(大東詩選), Sidan(詩壇), JoyaSisun(朝野詩選), and Haedongjip (海東集) began to establish mutual relationships with modern print media such as newspapers and magazines. If DaedongSisun and JoyaSisun have the characteristics of a collection of poems by Korean poets in the past, Haedongjip collected and published works by writers of the time. The HaedongMunyesa(海東文藝社) published the form of Chinese poetry in a modern magazine, meaning, "As a culture, I resist Japanese coercion." The first tense hosted by The HaedongMunyesa was "ChungaChugheung(田家秋興)" and "Guanhang(歸雁行)," and the questions were "Aegukseol(愛菊說)" and "Hanmunbulgapye(漢文不可廢)." As a result, about 290 poems and texts were recruited from all over the country, and the The HaedongMunyesa divided 283 works into poems and texts, and published according to the order of contribution. In order to publish the poem, monthly expenses(月費) had to be paid, and monthly expenses had to be paid to qualify for publication in magazines. Among the articles published, poems with excellent control and those who contributed many works were selected and rewarded, and poems that received awards were published in newspapers. This is an early form of the concept of ascension through modern "00 Literature Awards". The regional distribution of characters contributed to Haedongjip varies widely from Pyeongan-do to Jeju-do, and many figures from Gyeonggido, Jeolla-do, Chungcheong-do, and Gyeongsang-do participated. In particular, many poems were submitted in Gurye(求禮), which is closely related to Kim Sang-guk(金祥國), the editor and publisher. Haedongjip used a modern medium called magazine to promote the culture of Hansi(漢詩), a product of the past, but only reproduced traditional themes that ignore the times. Thanks to this, Chinese poems remained a form of expression to reveal the intellectual culture of whether or not Chinese poems could be built regardless of their aesthetic level.