인터랙티브 영화에 나타난 디지털 스토리텔링 사례 분석

Abstract

Produced and distributed by Netflix, a video streaming service platform, <Black Mirror:Bandersnatch> is an interactive movie released through digital media. If existing interactive Movies have been produced around popularity, <Black Mirror:Bandersnatch> focuses on the individuality of being able to watch them at any time using digital media and that the story proceeds as an interaction(between video users). In response, we aim to look at how digital storytelling is implemented and what features it has in interactive Movies, focusing on <Black Mirror:Bandersnatch>. First of all, <Black Mirror:Bandersnatch> uses video text to demand the choice of viewers(users) and has an "interactive structure based on interaction" in which the story proceeds. Secondly, a non-linear structure that allows the reorganization of the story reveals a distortion of time, and this distortion of time leads to a distortion of the real world and the space in the movie that seems to coexist. Finally, the film is enhanced with ‘The use of sherades and montage techniques for immersion’. As such, <Black Mirror:Bandersnatch> is a work that reconstructs storytelling based on interaction and adds cinematic immersion using sherades and montage techniques. However, there is a limitation that the features covered in this paper are not clearly distinguishable from the game and lack of analytical examples as they are unique to the digital storytelling of interactive movies. We hope that more cases will be produced in the future so that the points made in this paper can be supplemented.