김종삼 시의 현실인식에 대한 인지시학적 연구

Abstract

In this study, I consider the perception of reality that is displayed in the Kim jong-sam's poetry. And, there is a purpose that take a look at the poetic consciousness of ego and its corresponding Through the methodology of cognitive poetics. In particular, I have noted that there is a close relationship to the formation of meaning and to the technical aspects of language form in Kim jong-sam's poetry. The trend of research of existing Kim jong-sam's poetry had been separated by the aesthetic achievement and centered on the meaning. In studies using cognitive poetics can be integrated to it. Reality that appeared in poetry of Kim jong-sam are those tragic. Ego has been recognized as a tragic reality and it is possible to know that he have the sense of alienation From poetry, "The Gardener" and "landscape" in particular. The formation of this recognition are involved techniques characteristic as conceptual metaphor and image-scheme. It has been extended to the spatial features of ego consciousness alienation that peripheral directivity. On the other hand, I focus on the poetry that was material to the weak. I analyze the meaning to this reality and recognition of poetic ego. Here, the language formal feature of poetry is formed on the basis of concept of a figure/ground. In particular, to explore the focus on poetry two have the form of language that is abstinence attitude of self that corresponds to reality is similar. Reality which appeared in the "civilian" is something inhuman. On the surface of the poetry, and the incident space is located when the special concrete. However, in the other side, ethnographic tragic are figuration conceptually. Then, it is possible to understand that the tragedy is ongoing. The "The ink painting" is figuration to life of alienation hierarchy. It presents a humanism attitude to keep the life.