김종삼 시에 나타난 존재인식의 시적 효과 연구

Abstract

Kim Jong-sam implemented the poetic world peculiar to Kim Jong-sam while keeping a certain distance from the tendency of poetical circles with a division into two of traditionalism and modernism in the 1950s and of pure poetry and participation poetry in the 1960s. Despite the poetic history for about 30 years, a big change is difficult to be found in Kim Jong-sam's internal awareness and poetic world. Accordingly, grasping the poet's existence cognition, which appeared in Kim Jong-sam's whole poetry, comes to be what clarifies Kim Jong-sam's poetic world. Hence, this study examined a poetic effect of existence cognition, which was indicated in Kim Jong-sam's poetry, in two aspects. First of all, the aspect of a poetic expression method was understood a poetic effect according to it after analyzing a depictive effect as the expression with the meaning alteration unlike the existing metaphor, and then analyzing a descriptive effect through the repetitive structural variation and paraphrase. As for Kim Jong-sam, the use of ontological metaphor was realized as the creative writing, which makes a new meaning through giving concreteness to creation and then drawing the ideological inner object into life. The descriptive tendency in Kim Jong-sam's poetry, which talks about retrospection as own individual experience, in addition to short poetry, is being recurred or paraphrased as one structure. In terms of this, reviving a rhythmic sense of a sentence leads to strengthening musicality. Assigning outer iconicity leads to revealing pictoriality. The recurred vocabulary increases information, leads to emphasizing a poetic message through objectively externalizing a poet's inner side, and simultaneously evokes an impact of firmly raising the poet's existence cognition. Figuring out ontological metaphor, which was shown in Kim Jong-sam's poetry, came to be what grasps a function and a literary role in poetic simile and what figures out the organic in the whole text. Moreover, Kim Jong-sam's unique experimental poetic world could be confirmed through analyzing a characteristic in light of technique, which externalized the inner meaning through an independent representation.