극예술연구회 자매 공연의 무대 디자인과 단면(斷面)의 공연 미학적 의미

Abstract

Jamae(sisters) was the 11th regular performance by Gegyesuryeonguhoe. Yoo Chi-Jin, who invented and led the new policy in 1936, planned a grand theater performance policy, a creative theater performance, and a large audience mobilization through Jamae(sisters). And in order to realize this goal, he created and directed three acts of tents, Jamae(sisters). In this process, Kim Iryeong took over the stage design of Jamae(sisters). Kim Iryeong presented a stage design that reveals the ‘cross section of the stage’ by referring to the venue and interpretation of the work. Kim Iryeong took the lead in understanding the works of Buminwan's grand theater structure, the secret surrounding the old house, and the inner revelation. Kim Iryeong also challenged the stage design with an effective device that can reveal the inside and the times of the characters, even though the whole stage is watched by the audience without difficulty. Kim Iryeong's experiments and groping can be found in the stage design related to Jamae(sisters) performance, practice photos, and actual performance photos. Although so far, Jamae(sisters) has received little attention in Korean drama history and has failed to elicit such appraisal in the performances of the Gegyesuryeonguhoe. However, according to the stage design and the performance aesthetic reconstruction based on this, Jamae(sisters) not only proves the new policy of the Gegyesuryeonguhoe published in 1936, but also clearly shows the performance of the second stage. As the significance of the performance is significant, further research is expected.