『一庵燕記』에 나타난 글쓰기 방식

Abstract

『Ilam Yeongi』 explored a new writing style, accepting the writing style of 『Nogajae Yonhaeng Ilgi』 called the textbook of Yon-haeng-rok actively, though it was written in the early 18th century, it showed the overall characteristics of Yon-haeng-rok's writing in the 18th century. Interestingly, Lee Gi-ji or Lee Bong-sang compiled a book, 『Ilamjip』 from sources of Ilam Yeongi. The major scenes' look of visiting Beijing in 『Ilamjip』 shows that Lee Gi-ji was conscious of 『Nogajae Yonhaeng Ilgi』. Looking into this, it is found that Lee Gi-ji tried to diffuse its information and found a new meaning. Second, he attempted to depict painting scenes following writings of Kim Chang-eop and the book clued in on accepting the books of the Ming and Ching. Third, 『Ilam Yeongi』 tries the way of writing that is characteristics in the late 18th century. <Seokgocheopseo> is a writing ascertaining historical truths to a wide range of books and writers. <Seoyang Hwagi> is a unique work which was created by editing for 5 days' diaries and it intensively shows the aspect of Western paintings. 『Ilam Yeongi』 should be evaluated as an important work that is comparable to three major Yon-haeng-rok, 『Nogajae Yonhaeng Ilgi』 of Kim Chang-eop, 『Damheon Yeongi』 of Hong Dae-yong and 『Yeolha Ilgi』 of Park Ji-won because it has an important effect on 『Damheon Yeongi』 inheriting the 『Nogajae Yonhaeng Ilgi』.