이상 소설에 나타난 반복의 유희와 제3의 시간

Abstract

This paper looked at the Lee Sang's novels as an experimental attempt to create third time through repetitive motion. Repetition is one of the ways to overcome trauma and hope for the future through novels along with representation. Representation is a method of realism fiction that reveals the perspective depending on the mediation of the world view. On the other hand, repetition regenerates self-activity by agitating pure memories of the abyss while repeating the pain of trauma in an unmediated space. If the realism of representation is developed in a linear causal plot, the literature of repetition creates third time in which the past returns and time is transformed into existence. Lee Sang's Wings hopes for “Wings” with the power of repetition where the protagonist who has strayed from shipping time after his wife's incident shakes Abyss' pure memories. In this way, the literature of repetition is an attempt to capture the future that has disappeared through a time different from the linear time when the realism of representation becomes difficult. In Jongsaenggi, the situation becomes more difficult, but Lee Sang does not end to delay despair by repeating writing in the form of meta-fiction. In addition, Silhwahwa is a record in which the hope of ideal love is frustrated, and it reveals the self-consciousness of third time that makes up for the frustration of Gyeongseong and Tokyo in the gap between the 19th and 20th centuries. Lee Sang's novels above is read as a literature of fragmentation, but even in despair, the desire of third time to fly again was rising repeatedly.