이상 시에 나타난 균형감각의 구현

Abstract

The purpose of this study is to find that the dismantling senses that appear in Lee-Sang’s poetry maintain a sense of balance. It is confirmed that the key to interpreting the poem of infinity, unconsciousness, relativity, or dissolution, which was the basis of the above discussion, is to maintain a sense of balance between reality and the ideal world and existence. All symbols shown in the above poem are balanced without bias, and this sense of balance stems from the extreme view of the above timeliness. Time when boundaries have disappeared resonates with the past, present, and future, eliminating fundamental distinctions and balancing time sense. In addition, the multifaceted eyes and expressions that appear in the Lee-Sang’s poetry are imaged so that a single object is scattered to various places like a prism. Therefore, if you follow the symbols spread in Lee-Sang’s poetry times, there is a point where the symbols gather where light penetrates. As these senses are repeated in poetry, mechanical movements across boundaries appear, and before you know it, the movement of symbols becomes a motif that creates reasons for change and proliferation while maintaining balance. This is because the light generated from the darkness in the poem is not described as light to remove the darkness, but as light for a sense of balance to prevent any object and reason from becoming bloated. Time resonates by affirming the existential reasons and preferences that do not act hidden in the actions of the poetic speaker. Therefore, this study aims to find points that result in a sense of balance in ideal poetry with Gilles Deleuze's ‘Resonance Theory’, that explain the time view dismantled in symbols, and identify the poetic shape in which the world expands.