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『소수록』의 성격과 작자 문제

A Study on the Nature and Author Issues of Sosurok

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주제분류한국어와문학

초록

The purpose of this study was to investigate the literature nature and writer issues of Sosurok, which is a sort of collection of literary works about gisaengs including stories depicting the life of a gisaeng, letters containing the psychological battle of subtle love between gisaengs and their clients, ardent love Shijos describing longing for loved ones endlessly, and arguments proudly affirming the existence of gibangs and gisaengs. The readers of the collection are thus estimated to have been gisaengs. It is considered as a good source to understand the consciousness of gisaengs that lived in the middle and late 19th century. But one cannot help wondering if its authors must have been gisaengs just because its stories were about them and if it has the nature of Gasa collection as maintained in previous studies. In an effort to answer those questions, the present study first closely examined the basic composition and major content of the collection and found that it should be defined as "miscellaneous records" about gisaengs since its composition system was closer to that of "Sechaekbon" than Gasa collection. The analysis results of 14 pieces and their content show that they were created by a single author that was engrossed in reading love stories about gisaengs in that he or she used the same authentic precedents regarding gisaengs, mentioned the main characters of love stories in many different works, and had certain favorite language habits in the creation of Shijo.

Abstract

The purpose of this study was to investigate the literature nature and writer issues of Sosurok, which is a sort of collection of literary works about gisaengs including stories depicting the life of a gisaeng, letters containing the psychological battle of subtle love between gisaengs and their clients, ardent love Shijos describing longing for loved ones endlessly, and arguments proudly affirming the existence of gibangs and gisaengs. The readers of the collection are thus estimated to have been gisaengs. It is considered as a good source to understand the consciousness of gisaengs that lived in the middle and late 19th century. But one cannot help wondering if its authors must have been gisaengs just because its stories were about them and if it has the nature of Gasa collection as maintained in previous studies. In an effort to answer those questions, the present study first closely examined the basic composition and major content of the collection and found that it should be defined as "miscellaneous records" about gisaengs since its composition system was closer to that of "Sechaekbon" than Gasa collection. The analysis results of 14 pieces and their content show that they were created by a single author that was engrossed in reading love stories about gisaengs in that he or she used the same authentic precedents regarding gisaengs, mentioned the main characters of love stories in many different works, and had certain favorite language habits in the creation of Shijo.

참고문헌 (16)

  1. "소수록", 국립중앙도서관 소장, ~
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  7. 박애경, "‘록자류’ 가사의 존재 양상과 그 의미", 한국문학연구, 11(26), pp.169~187 (2003), 한국문학연구소
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  11. 신경숙, "안민영 예인집단의 좌상객 연구", 한국시가연구, 10, pp.229~256 (1999), 한국시가연구학회
  12. 신경숙, "19세기 일급 예기(藝기)의 삶과 섹슈얼리티 - 의녀(醫女) 옥소선(玉簫仙)을 중심으로", 사회와역사(구 한국사회사학회논문집), (65), pp.41~73 (2004), 한국사회사학회
  13. 이화형, "기생시가에 나타난 자의식 양상 고찰 -작자의 자기 호명(呼名)을 중심으로-", 우리문학연구, (34), pp.127~156 (2011), 우리문학회
  14. 의정부시, "시정40년사 제1권", pp.767~768 (2004), 의정부시사편찬위원회
  15. 의정부시, "의정부시사 제6권", pp.108~121 (2014), 의정부시사편찬위원회
  16. 정명기, "세책 필사본 고소설'에 대한 서설적 이해 -總量·刊所(刊記)·流通樣相을 중심으로-", 고소설연구, 12(12), pp.445~180 (2001), 한국고소설학회

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